Jeffrey Herman disclaims any
responsibility or liability for damages or injuries as a result of
advice contained on this Web site.
As any silversmith knows, silver solder is the ideal material to use when joining sterling pieces by the traditional method of brazing. Sometimes I will receive an object which has been lead-soldered in the area in need of repair (or re-repair). Sometimes the joined area is not visually accessible, and I don't know if lead has been used.
In either case, I cannot use silver solder because the high temperature required will melt any lead in the joint and allow it to form its own alloy with the silver. Not pretty! And, using a low temperature tin/silver solder won't give me a sound joint or good silver color. For this reason, I had been exploring newer technologies for joining metals. I tested laser welders from a few manufacturers, but found that their compartments are too small for working on holloware. In addition, they are expensive to buy and notoriously expensive to repair, and the down-time for repairs can be substantial. I also tested the Mini Pulse III (an arc welder) from Aelectronic Bonding, which had too few welding power options and didn't allow me to get into tight spaces.
I tested a friend's Lampert PUK2 pulse arc welder for a few months, and refined my technique to the point where I felt confident to purchase Lampert's PUK3s Professional, which was developed to weld silver more successfully. I was so impressed that I soon purchased the PUK3s Professional Plus which had a broader power range, additional impulse settings, and five programmable settings.
Since I use the PUK on a daily basis, it was only natural to upgrade again to Lampert's latest model: the PUK04, which has the following advances over the previous models I've owned. Features in bold were the most important to me:
Above: As with every PUK I've owned, this latest model also sits to the right of my main bench where I can pivot left to get access to my abrasive and burnishing tools. I set up ventilating behind the welding area to capture all metal fumes. Venting or using the optional smoke absorber is a necessity, as with all other forms of welding which produce metal fumes.
The 10 electrodes come pre-sharpened on both ends. I wait until I have used all 10 electrodes (20 tips) before sharpening them at the same time with the supplied mandrelled diamond disk. This saves time. I mount the disk in my Foredom handpiece and secure it to the bench over the dust collecting vent. The recommended tip angle is 15%. Electrode replacement in the PUK handpiece can be accomplished within five seconds.
Advice on welding larger objects
Whether it be pulse arc or laser, welding isn't meant to substitute for brazing large objects. Welding long seams (e.g., on coffeepots or candlesticks) is more time-consuming than simply using the welder to tack a seam in preparation for brazing.
If attaching parts to large bearing surfaces (e.g., a large finial to a coffeepot cover), it's best to tack the part in place, then use the capillary action of torch-brazing to fill the void. Always consider the time it will take to weld or braze and the subsequent clean-up.
Lampert pulse arc welder highlights
Uses the same alloy as the piece being created or repaired (no color
issues as with solder);
Lampert Workshop Papers
(Subcribe to their workshop series here.)
Lampert Workshop Videos: http://www.youtube.com/user/LampertWelding/
The basic cost for the PUK04 is $5,295. It includes:
PUK unit and microscope;
WARNING! Shaded safety glasses and goggles made for oxy-acetylene brazing and welding are NOT intended for arc welding. The flash that's produced when arc welding is much more intense and requires the auto-darkening function found on PUK pulse arc welding microscopes and magnifiers.
Optional accessories I added:
Though it's certainly not the most user-friendly microscope arm on the market, Lampert's articulating arm ($575) allows me to work on larger objects underneath the microscope. See it in use here.
A note about this arm: Purchase it only if you're going to be working on large objects as it's not user-friendly: it's difficult to raise and lower on the rear vertical shaft; the adjustable wire vertical support towards the front of the arm is too thin; and the arm itself is very heavy and cumbersome. Hopefully, in the near future, Lampert will develop a more useful arm.
The precision regulator ($135).
When I was using the PUK 2, I tried a couple of different (and less expensive) argon regulators that weren't nearly as accurate as the one from Lampert. Most argon regulators are made in China and have graduated indicators that are too close together and/or have poor adjustment sensitivity, and very poorly made (I returned two regulators before springing for the Lampert model). A regulator that doesn't give accurate readings can lead to poor welds and wasted gas. The PUK regulator is very well made and has more widely-spaced indicators to better indicate exactly how many liters per minute of gas is flowing. Though it's priced at $135, it's a wise investment in German quality.
Argon gas, which protects the weld from developing oxides, is the other expense for running the PUK. Without gas, the PUK won't run (and you would never produce a successful weld without it, regardless of your chosen welding apparatus). To reduce the cost of argon, I would advise leasing a 300-cubic-foot cylinder (5' tall x 10" diameter). I'm paying $142.81 per refill (includes hazmat & state tax) plus $50 for the yearly lease. Argon purity of at least 99.97% is recommended by Lampert. The industrial argon I'm using from my local Airgas company is 99.998% pure. I have been running the PUK on 1.5 liters of argon per minute regardless of the alloy I'm working with.
The PUK04 headrest allows relaxed and fatigue-free working with the welding microscope. It also helps maintain concentration on the workpiece and eliminates fogging and the deposit of eyelash oils on the microscope lens.
Additional electrodes each set supplied with a diamond grinder and case ($45). See electrode sharpening here.
1. Pin module for welding ear studs
Welding Wire Alloys
Welding wire spooled in containers like the ones above make it difficult and time consuming to steady thin wire exactly where you want it (it tends to flop around). The Speedwire Welding Wire Dispenser makes thin wire much easier to weld since it puts it exactly where you want it without movement. Speedwire allows wire as this as .005" (.127mm) to be dispensed, though, you'll probably be using the more widely available .010" (.25mm) wire. I bought the refillable Speedwire ($23) and coil the sterling wire myself on steel rod in my lathe, then relax the coil by removing the wrapped rod from the lathe and gently annealing it while still attached. Speedwire can also be supplied with pre-installed wire of numerous precious metal alloys. See the Speedwire in use here, and see how the receptical can be filled. For more information and purchasing from the inventor, go here. Speedwire can also be purchased from: Hoover & Strong, Rio Grande, Stuller, among others.
Using this relatively new technology has broadened my scope of options when joining metals. I can mend a pinhole with a dollop of sterling, dress it down, and give it a quick polish without disturbing the patina. The end result: absolutely no indication the piece was repaired - the color is perfect! I can repair a bezel surrounding a piece of glass without removing it. Normally I would be forced to unmount the glass, possibly damaging it in the process. I even used the PUK to weld a steel wire to the end of a hardened steel pin that was buried in a candelabra stem. I heated the stem, melting the lead solder, and pulled the pin out. How slick is that?
When I say I use the PUK every day I'm working, I'm not exaggerating. It was the most prudent (and expensive) purchase I've ever made for my shop, but it's already paid for itself. Once you own this little gem, it will open a whole new world of possibilities. Oh, another plus: Lampert Tools USA offers up to five hours of free training when you purchase a PUK welder. Simply contact owner and goldsmith Robert Sepiashvili in Chicago to make an appointment.
Lampert PUK04: (excellent)
Lampert's Web site (Germany)
Lampert Tools USA
A&A Jewelry Tool (Los
PUK04 Welder Settings (Download
7/72015: Working on objects containing lead solder and lacquer
There are times when no other method of restoration is practical other than pulse arc welding. The piece below is a detail of the Hartford Bishop's crozier. It came to me containing lead solder from a previous repair and poorly applied lacquer. Two thistle elements had become detached. I was asked to remove all traces of lead that was used to solder the elements in place. The heat of the torch also discolored the lacquer - what a mess. I was able to reattach the thistles without further damaging the lacquer and coated those areas with Renaissance wax. The crozier will have its lacquer stripped and hand polished at a later date.
The image below shows the reattached thistles.
3/28/2015: Welding when contaminants are present on a piece
There are times when welding that no matter what you do, the weld fails. Perhaps there are minute amounts of dirt on the inside of an object that you can't see or remove. Maybe the inside of a piece was never cleaned after brazing and corrosion developed. There may also be areas that were repaired with unknown solders. Whatever the case, here's a technique I developed when I had this very problem. I was working on a double-walled sterling oil lamp which developed a small hole allowing vegetable oil to leak into the basin. I removed over two cups of oil, but was unable to remove the basin cover to thoroughly remove the residue. A solder seam had opened and needed to be welded closed. I removed the solder in the seam and hoped the oil residue wouldn't contaminate the joint while welding. It did. Whatever setting I used would allow the oil to migrate to the surface. I decided to try something radical. I ramped up the milliseconds to 20, chose the thick setting, and cranked the power to 60%. What happened, I believe, was the seam and surrounding area was cauterized from the extreme blast. Whatever contamination was on the inside of the basin disintegrated and the seam closed. I was now able to continue welding with sterling wire on top of this clean material.
I would never recommend to a beginning welder to attempt such a major step up in milliseconds and power, especially when working with material thinner than .032" (.811 mm). I had been using 2 milliseconds with 50% power prior to the experiment. I would recommend ramping the welding milliseconds and power gradually to see how the metal reacts. What you want to avoid, at all cost, is blowing a huge hole in your piece that will require a major repair.
2/7/2015: Refilling a Speedwire
I have provided a video on making your own coiled sterling wire for Glenn Manning's Speedwire.
1/9/2014: Using prongs to hold pieces together
The piece below is part of a candelabra. A candle cup broke off of one of the arms and had to be reattached. In this case, I didn't tack-weld both pieces together because soot may have been deposited inside the seam making it more difficult for the solder to flow. I devised a method to hold the pieces together by tacking four wires (prongs) to the bottom of the candle cup. I applied flux inside the seam, assembled both pieces, then pushed the prongs over, securing the arm. This enabled me to rest the tip of the solder wire against each prong when the cup and arm came up to temperature, allowing the capillary action to carry the solder around the seam. After removing the flux I filed off the prongs.
12/17/2014: Extended use for Lampert's welding spool
Some of you may be using Lampert's welding wires. I generally use their palladium/silver wire as they're the only company making it. If you're drawing your own wire that's too thick for the Speedwire system, re-use Lamper't spool! I ground away the tabs that hold both plates together, drilled a hole through the inner walls so the wire will stay still while winding, then installed a nylon 1/4" hex head bolt, two washers, and a nut. Voila, a stable method for holding your wire (in my case, below, it's .020"). The nylon components are substantially lighter than steel.
11/23/2014: New Option for Attaching PUK's Flexible Contact Strip
The candlestick below had a stem that was too large for the flexible contact strip to fit around and the other contacts would have left a light mark on this new candlestick. I decided to use aluminum tape to fasten the strip, eliminating the need to refinish the contact area.
10/19/2014: This money clip broke on its spine from too much stress. It was welded back together with palladium/silver wire and built up around the break, adding strength. Welding was the only practical option for this repair because of the inlaid stones. Because of the tension exerted on the spring, silver sheet was welded to the spine for extra support and tapered around the back for a more appealing appearance
8/25/2014: Welding Objects With Hard Fired Enamel
If you ever repaired an object containing enamel, you know how difficult it can be, especially if the object requires soldering. You can't use silver solder because of the danger of damaging the enamel. And lead solder won't give you a secure or attractive result, but that's the only method available in your workshop.
If you create or restore enameled objects, you may want to consider a pulse arc welder since the heat is so localized no harm will come to the enamel. This pot needed its handle secured and its dents removed from the single-walled body, double-walled cover, and removeable tea strainer that sits under the cover. There had been a rod extending through both ivory insulators. One end was hard soldered to the handle and the other was peined over on the inside of the pot. Over time, this assembly loosened. I removed both rods then welded new ones to the body, covering the holes. I then drilled holes through the handle for the rods to extend and countersunk the holes. After I reinstalled the insulators over the rods, I attached the handle with the rods protruding through the holes. I then pulsed down over the rods, spreading the silver into the countersinks and securing all parts for an undetectable repair (below).
7/25/2014: Welding Stress Cracks
One of the many strengths of pulse arc welding is the ability to correct mistakes. For instance: you're at the final stage of checking (thickening) the edge of a vase you just spent weeks raising and planishing. Suddenly you discover a stress crack that formed down the side of the piece because the metal became too hard. What do you normally do to repair the crack after you're done swearing? That's right, you solder it or start over with a new piece of metal. The problem is if you use solder, the color difference will stand out like a soar thumb. And this is where welding will save the day. You file a v-groove into the crack and use a wire of the same alloy as the piece itself and fill it in. You've not only saved hours of production time, you've corrected a mistake that will never be detected.
As a restoration specialist, I have been confronted numerous times with this issue. A bracelet or sugar tongs that were flexed so many times a crack developed. Or a spun bowl that wasn't properly annealed when made and cracked on its edge after hitting a tile floor. And that flimsy 18th century goblet that was torqued when hand polishing and cracks opened around its stem. It's very satisfying returning a piece to a customer knowing that a new technology produced a better result.
5/20/2014: Welding results in brittleness in sterling
Are you about to size a ring? Be aware that if you're filling the "V" you made with filler wire will be more brittle than the rest of the ring. And I'm using a ring shank only as an example. On a hardened shank, pulse a couple of layers of sterling in the bottom of the "V" using 2-3ms, thick mode, and 50% power. Add a couple of layers of palladium/silver wire for a stronger connection to the shank and finish off with a thick layer of sterling for a perfect color match.If you find that after welding you have to size up a quarter to one half you should concentrate any hammer blows away from the weld. This will insure that the weld will not split.
2/28/2014: Welding a snuffbox hinge knuckle
Three-knuckle hinges should be easy to make, right? So why do I constantly see them with the center knuckle smaller than the other two? Strange. That center tube MUST be longer than the others so it won't take added abuse.
This 2.75" sterling snuffbox is a case in point. That cover was torn from the hinge. Removing the tight hinge pin would have damaged the outsides of the outer two knuckles. This is where the PUK excels in its duties. Using a triangular graver, I dug a groove between the knuckle and cover on the top and underside. This allowed me to fuse more material between the two components. I wanted to duplicate what would have naturally occurred with silver solder's capillary action drawing the solder between the two components. I fused one thick layer of palladium/silver into the crevices since this alloy would provide a stronger join than sterling. I finished by filling the rest of the crevasse with sterling for a perfect color match to the snuffbox. The images below show the deposited sterling prior to leveling the area.
Below is the polished underside of the cover/hinge connection.
1/31/2014: Welding over multiple alloys (silver, copper, and lead)
Below is a fused plate cover to a Matthew Boulton urn. Fused plate (commonly called Sheffield plate), was sterling sheet "sandwiching" a sheet of copper. This was the precursor to electroplating. In order for the cover and rim edges to be connected, a very thin piece of sterling sheet (evident in the image) was lead soldered to the edges, hiding the copper. If I used the same technique to close those edges, the remaining strip may have pulled away from the edge, so welding was the safest and most logical technique to use. I cleaned the area missing this thin sheet and proceeded to reconnect the cover and rim split with palladium/silver wire. It worked brilliantly, as illustrated below. I will top the filler with a heavy thickness of sterling for a perfect color match. This is just one more reason I enjoy using the PUK.
1/15/2014: This money clip developed a stress crack then broke from many years of use. It was welded back together with palladium/silver wire. Removing the coin could have damaged it and brazing the split would have softened the metal with no way to harden the overall clip. Because of the tension exerted on the spring, silver sheet was added to the spine for extra support.
12/27/2013: The PUK04 comes through again with a sensitive weld
This welder never ceases to amaze me! The perfume bottle top below (actual length 3") was originally a button hook. My customer wanted to use this hook in place of the missing top. I cut the hook and inserted a sterling ball over the rod, then welded it in place with sterling. Pretty straight forward, right? Well, not entirely. You see, the handle was filled with pitch, so the challenge was to weld the ball to the handle without any pitch melting and contaminating the joint. I used a very sharp electrode with a setting of 1ms, thick mode, and 35% power. The heat was so localized that the welding went along flawlessly!
11/1/2013: Excellent source for .010 (.25mm) dead soft sterling wire
Rio Grande Rio also carries other metals in the same form as above.
We all have our own techniques when sharpening tools. Below is an image of me sharpening electrodes in a very safe manner. When it's time to sharpen my 80+ electrodes, I do so all at once. I cut a pipe hold-down so I would need only one screw to secure it to my bench over the inset 4" galvanized elbow that connects to my dust collector. I use the diamond sharpening wheel that comes in each package of PUK electrodes. Using very little pressure from my forefinger on my left hand, I quickly "twirl" two electrodes into (not away) the wheel with the thumb and middle fingers of my right hand. Since I'm primarily welding silver and using very little power, I grind relatively slim tapers. Though I have ground as many as four electrodes at once, grinding only two at a time will give you more uniform tips.
9/25/2013: Removal of solder and plating critical when welding
I mentioned in an earlier post regarding removing silver solder from a match safe before welding. Though palladium/silver wire may sometimes fill without removing solder, the absolute best and easiest welds are accomplished when solder is not present. Another issue is the presence of a coating over the main alloy, whether it's fine silver or rhodium covering sterling, gold over sterling, and especially lacquer. Always scrape, abrade, or chemically remove this surface in order to work successfully with the underlying alloy.
9/16/2013: Removing a hand mirror handle dent
Today I'm working on a sterling hand mirror which has it mirror-holding bezel lead soldered in place. So, how to remove a handle dent (the customer didn't want any other work done)? In this case, I drilled a hole in the bottom of the handle large enough to insert a burnisher to pop out the dent in the middle of the handle. I then pushed a no-hole sterling ball into the handle and had it drop to the handle bottom, tacking it in place. Below you'll see the ball totally welded in place before I add additional material and blend the handle into the ball.
7/12/2013: Burnishing over a cast iron head
On objects made of thinner material, it's always best to support the piece from underneath when burnishing so the area won't dent.
6/26/2013: Welding over firestain
Pulse arc welders don't like firestain; it sees it as an oddball alloy and won't react well with it, producing an unsuccessful weld. Remove all firestain from the welding area to expose the pure alloy prior to welding, otherwise, it will be akin to trying to solder over dirty metal.
6/10/2013: Filling in knife handle dents
Here I had a Georg Jensen sterling dinner knife that had been dented on its tip. It was no problem filling in with a .020" / .51mm wire. The resulting restoration is undetectable.
6/7/2013: Restoring internal threads
Yesterday I was working on a sterling candelabra that had a candle cup with its internal threads worn down. I used Lampert's palladium/silver wire to fill in the threads and retap the hole. This saved considerable time over brazing a wire into the hole, drilling, then tapping. The reason for using the palladium/silver was because the threads had been hardened from numerous times screwing and unscrewing the cup from its threaded rod. This alloy excels in fusing itself to hardened silver, more so than standard sterling. I then removed the stripped sterling rod from its arm (the bobeche disk is free-floating over the arm), drilled and tapped a hole, then screwed in a new threaded rod before welding it in place with the palladium/silver wire.
5/23/2013: The beauty of tacking
The silver creamer below illustrates just how easy and clean it is to get parts ready to braze or solder. A few pulses from the PUK will position the attachment without the fear of movement. No need to worry about binding wire melting or a third hand moving the piece out of place. Tacking this leg in a few spots took only 30 seconds.
4/12/2013: Engraving Cleaner
There are times when using a glass brush can be messy and even get in the way of a good weld. Plus, the tiny fibers can get lodged in your skin and can be very difficult to find. Today I made this engraving cleaner which will free-up your flexshaft for other accessories. The screw can be loosened and rotated to expose new material.
As with soldering, welding also requires a clean surface. This is especially true with engraving, which can be very deep. When I see oxide build-up (not soot), I reach for the cleaner. The cleaning will also aid in void-free welds.
4/5/2013: Filling Engraving
This rare Jensen piece shows its chased lettering filled with sterling (left). The image on the right shows the finished job. I used 2ms, thick mode, 50% power. The material on this tankard allowed me to use a more powerful pulse. Remember to always start with a less powerful setting so not to blast through the object.
4/2/2013: Filling Engraving
Below is the bottom of a stelring creamer part of a five-piece teaset that had to have the monograms filled in. The material was too thin to eradicate, and the customer wanted a replacement monogram engraved. See more of monogram filling here.
Top left: I removed all oxide in the engraving with Wright's Silver Polish and a horsehair brush (a typical flux brush). It's best to start with a clean surface. I used silver polish since it's less abrasive than a glass brush or 0000 steel wool.
Top right: the engraving being over-filled with sterling wire (I used these settings: 2ms, thick mode, 50% power).
Bottom left: the monogram totally filled.
Bottom right: no trace of the monogram after planishing, abrading, and polishing.
3/10/2013: Flattening filler wire
On my PUK bench sits a small anvil for flattening my .010" / .25mm filler wire which comes out of my Speedwire dispenser. There are times when I need a thin piece of sheet to fill a narrow split.
3/9/2013: Skimming (my term)
There are times when you'll want to build a heavier thickness on top of what you're welding. Below is a weighted candlestick with the pitch still inside. Previous welds on this piece had not yet been refined, as I simply wanted to get all holes filled first.
I'm using a much heavier .020" / .51mm wire on the edge of <.005 / .127mm sterling. This is a fairly advanced technique, for you'll want to position the electrode on the edge of the wire, pushing a small amount onto the area beneath with a light setting. I'm using the thick sterling setting, 1ms, and 35% power. This would never be enough power to melt the entire wire, but will melt a portion of it. This technique is also allowing for a much thicker base to weld to without blowing through the thinner material beneath. Using a heavier wire will cover the hole much quicker than using .005" / .127mm, and will give me a much thicker base to add heavier amounts of silver. Later burnishing will also result in a smoother surface. Another plus in using thicker material will be found in argon savings.
Below: The filled hole
2/21/2013: Smoothing deposited metal
I discovered this technique yesterday which allows me to free-up my flexible shaft for welding accessories. This $20 Dremel electric engraver, with its 9 power settings, hammers down, massaging the metal while giving a beautiful smooth finish for light filing and sanding. I removed the engraver point, polished the other end, and reinstalled it. The engraver is very loud, so I wear earmuffs. I feel the deposited metal is much less traumatized than when working with many rotary burnishers which "pull" the metal instead of compressing it like a rolling mill.
The area in front of the deposited sterling was finished with a #4 pillar file then 1200-grit wet/dry paper, ready for polishing.
I will start searching for a quieter electric engraver.
2/20/2013: Cast iron/sterling welding
Yesterday I made a hanger for my grinding wheels' truing device. This is an example of successfully welding sterling to cast iron. It's not a pretty connection (I wasn't concerned with aesthetics), though the weld is extremely strong even though there is very little contact between both materials. I used the sterling mode with the thick preset. Periodically removing any soot from the welding area will guarantee a homogeneous meld between weld layers.
2/7/2013: Stainless welding
I did some stainless welding today with no filler wire. The blade in a dinner knife snapped off its tang. I removed the tang from the sterling handle, welded its circumference, and made it ready for reinsertion. If I had silver-soldered the two pieces back together, there most certainly would have been some etching to the blade from the flux. Cleaning of the tang and welding took all of three minutes!
1/8/2013: White metal welding
Up to now I've been demonstrating how fantastic the PUK is at welding silver. You may remember the successful test I performed on pewter. Yesterday I was straightening, leveling, and polishing a white metal sailing trophy. One additional repair was required: reattaching the ship's wheel. White metal generally melts below 300 F (149 C). Since there was a large gap that required filling where the wheel meets the handle, I used some higher temperature lead-free pewter which melts at approximately 450 F (232 C). I used the sterling setting with a time of 1.5ms, thick mode, 35% power. The pewter performed beautifully, filling the gap and leaving a brighter color than a traditional tin/lead solder. (I do no plating, so the pewter color was a great substitute for a silverplated finish. Plus, this was a repair, not a restoration project.) The pewter also gave me a considerably stronger join. Gently bending the wheel back and forth proved the welded areas were successful.
11/20/2012: Void-free welding
Below is an image of a piece of .040" (1.02mm) sterling sheet that was built-up to a thickness of .105" (2.67mm) using .020" (0.51mm) sterling wire. Notice the lack of voids do to successful melding of weld deposits. I used a setting of 2.5ms / thick mode / 45% power, pulsing over and around the sides of the wire. I then dropped the settings to 1.5ms / thick mode / 45% power, and placed the electrode at a 45-degree angle where the partially melted wire meets the sheet. This allowed the wire to puddle, melding with the sheet and leaving no voids. I then cut a cross-section with a sawblade and finished the face with 2000-grit silicon carbide paper.
When building upon melted wire, make certain that there are no voids underneath, otherwise, the area (when cut on a profile like the piece below), will look like a sponge and will not have structural integrity.
I welded two pieces of .040" (1.02mm) sterling sheet together with .020" (0.51mm) sterling wire, allowing voids (the dark areas of the weld) to develop in the process. I then split the seam by bending, demonstrating what can happen to a joint when not totally filled. Insufficient power was used when the electrode was positioned on top of the welding wire. The result was that portions of the underside of the welding wire didn't fuse to the sheet.
10/22/2012: Using brass wire wheels
When using a typical 3/4" brass wire wheel in a flexible shaft to remove soot and oxide build-up, use very little pressure and a slow speed. Not doing so may leave brass residue on the piece you're welding and will lead to an unsuccessful weld. Welding doesn't like the presence of an addition metal which isn't part of the alloy you're welding.
10/21/2012: Tools I use with the PUK
Front row, left to right...
Back row, left to right...
PUK compactor (teeth removed, slightly flattened side), flexshaft mandrel with four sides (not pretty, but works well), 45-degree heart bur for cutting grooves, burnisher with slightly flat side, burnisher (top has a slight angle for "massaging" the welded surface), graver for cutting grooves
This is a double-walled fine silver waste bowl that had many dents. The handles had disconnected from the rim because they were lead soldered. I had to disassemble the inner and outer bowls, remove the dents, reassemble with lead solder, repatinate, and hand polish.
I decided to make a stronger connection where the handles meet the rim, so I welded the dragon toes with sterling (silver soldering would have obviously melted the lead solder holding the two bowls together).
8/9/2012: Welding extremely thin sterling
Below is a close-up of a weighted candlestick. The customer didn't want a complete restoration, but to simply repair the stem-to-base connection without removing the dents. The candlestick material was only about .004" (.1mm) thick. I was able to weld the split closed with .010" (.25mm) sterling filler wire using the following settings:
What's amazing is that I didn't have to empty the pitch to perform a successful repair. Upon completion of the weld, I remelted the pitch which filled in any voids around the repair.
7/26/2012: Protect alligator teeth from marring your work.
1. Grind down the jaw teeth
7/19/2012: Wallace Sterling Golf Trophy working large
Filling in dents and welding cracks. I have the trophy sitting on a rolling pneumatic table that can be height-adjusted. I constructed the table out of an old office chair, removing the seat and replacing it with a piece of plywood.
5/30/2012: Sterling Kiddush Cup
This Kiddush cup was made from very thin material. I reshaped the torn area which extended 3/4 of the way around the stem. I then brought together both sides of the split and welded them together. All voids were filled by welding with sterling wire for a perfect color match. I straightened the stem and leveled the bottom and top rims. I then removed the dried polish and performed a very light hand polishing.
5/10/2012: Welding Objects That Flex
5/5/2012: Argon Consumption
There are many things about the PUK I enjoy. One of those features is the very low argon consumption compared to other systems. I find that I can perform 99% of my welding using only 1.5 liters per minute (lpm).
5/5/2012: Sterling & Amber Ring
This is going to blow you away! A friend came to me with an amber and sterling ring. The amber was glued into the setting with decorative wires above, only 1/16" from the amber. As you can see below, the wires had come apart. So, I couldn't remove the stone, and was forced to weld the wires back together (I would have chosen to weld them regardless of whether or not the stone could be removed). If I had used a laser welder and missed the mark, the stone would have fried. But first, I wanted to try the technique I was about to use on a sterling jump ring surrounding a piece of plastic. It worked - no harm came to the plastic. Here's the procedure I used...
The wires were pried open and the silver solder removed.
The wires were then sprung back together. As a precaution, I slipped four layers of index card stock between the wires and the amber to prevent the stone from burning.
Below are the wires reattached with sterling filler wire. I used the filler setting with 1.5ms and 30% power.
4/16/2012: Sterling Box Cover
This box cover's four corners were all split. I used sterling filler wire on the inside and outside, then compacted the material from the outside to remove any porosity. What appears to be a corner split in the third image is actually a reflection
This bracelet wasn't the thinnest piece I repaired with the PUK, but it did present a new issue: How would pulse arc welding hold up to constant bending?
This was the procedure I used:
The split was thoroughly cleaned, then beveled on the back side. I used .010" sterling filler wire and over-filled, spreading and smoothing material on either side of the break to strengthen the area. If I had not added additional support, I would see this piece back in my shop in a short time. I didn't totally compact the filler metal as it would have become too brittle with the possibility of the split re-opening. I decided to simply burnish the surface to remove any surface porosity. This left the filler material a bit more flexible.
12/30/2011: Sterling Casters
Someone had the clever idea to engrave these 1730 caster bodies with "salt" and "pepper." (The tops were left off to show a larger area of the engraving.) Engraving the function of these pieces is certainly not something I would have done, but to each his own. Since the silver was too thin to remove by filing, I used the PUK and sterling wire to fill it in. When I photographed the "after" image I had not yet polished the bottom sections of the casters.
12/11/2011: Sterling Cut Glass Jar Cover
This 5½" Wallace sterling cut glass jar cover was stamped and spun out of extremely thin material. The image on the left shows light coming through three areas of a flower as well as other areas on the piece. These areas were worn through from over polishing. The edges of the open spaces were the approximate thickness of a piece of tin foil (.001"). The PUK worked beautifully, and I used .25mm sterling wire for a perfect color match.
11/18/2011: Heat-sensitive Stones
Question from jeweler: I recently purchased a PUK Pro welder and am contemplating a retipping of a Tourmaline. I've completed several successful repairs upon Diamonds and Rubies but haven't worked on softer, heat-sensitive gems. Can you share any advice or point me in the direction of any technical material?
Answer: Tourmalines are inherently fragile stones. Having said this, there should be no problem rebuilding a prong. Firstly, it is advisable to try this technique on a practice setting holding a faceted glass "stone." Use 36-gauge annealed wire (.005") and the lowest possible power setting on your PUK when welding. Welding from the outside of the setting (don't let the electrode pass over the glass), build the prong straight up with the filler wire. When you're happy with the height of the prong, finish it and gently push it over the glass.
11/4/2011: Standard Sterling & Argentium
I did a comparison test using .030" (0.76mm) sheet standard sterling and Argentium. I used the gap mode with 6ms and 45% power for both alloys. The standard sterling (left) had smaller and slightly rougher welds than the Argentium, and demonstrated more oxide formation. The actual weld diameter sizes were .030" (0.76mm) for standard sterling, and .040" (1.02mm) for the Argentium. Dropping the power to 30% when welding the Argentium gave the same size diameter weld as the standard sterling.
Conclusion: Argentium gave a cleaner and smoother weld with 30% less power consumption as compared to standard sterling.
Standard sterling Argentium
Today I experimented with welding metals other than the sterling I normally work with. I cut some lead-free pewter sheet that was .040" (1.02mm). I filed the edges of each sheet 90 degrees to make a butt joint. I then used the PUK's gap filler mode with a setting of 6ms and 35% power, running down the center of the joint and overlapping each weld 50% I welded the top and bottom of the joint, with sheet penetration of over 50%. I then sawed through the joint and used 1200-grit silicon carbide paper to see if there were any gaps and found none. I folded the sheet on the joint in half from front to back, then back to front, and found no stress cracking. I continued the folding back and forth which eventually resulted in joint failure. This was because the joint was more brittle than the rest of the sheet. The same failure would have resulted if I had used pewter solder.
Since I was in an experimenting mood, I used the same PUK settings and welded the pewter to the aluminum backing of a safety edge blade with excellent results. The aluminum was then welded to the steel blade - this, too, was successful.
9/22/2011: Sterling Pie Server
This problem normally would require me to remove the plaster from the handle making sure it's perfectly clean before brazing. I would then have to go in with a scraper and clean around the split to guarantee a successful brazing job. Most handles I repair contain pitch which would have to be fully emptied so to not contaminate the joint (Arc welding and laser welding would have produced enough localized heat to melt the pitch, contaminating the seam.) For this handle, I experimented by removing only the plaster that was attached to the underside of the ragged split (approximately 2" in length) and left the remaining plaster in the handle. Also, I didn't remove the solder from the seam - arc welding and laser welding technology normally wreak havoc when working with solders, but I was curious to see if the PUK would give me a different outcome. I cut a piece of annealed .005" sterling sheet and used it as a shim in the split, exposing about a 1/16" above and below the surface. I then clamped the two sides together and began welding using the PUK's gap filler mode. Positioning the electrode on the top edge of the shim, I was able to melt and "push" the sterling down into the split, successfully filling the most of the void. This process is completed within milliseconds. I then used .010" annealed sterling wire to fill any remaining voids. The end result displayed absolutely no porosity and was undetectable. There was no firescale or firestain to remove, no patina to be reapplied, and a seam that would never split again.
The job of a silversmith or any other metal worker demands precision. And this comes with a price if the artisan's hands and arms are called in to provide that precision. With the cooperation of silversmith Jeff Herman, I was able to observe just such an occasion. Jeff informed me that he had been experiencing forearm pain and that this occurred during and after intense concentration with the use of a pulse arc welder. In order to use this device correctly, one has to hold the object being worked on prolonged periods with micro movements. In the following photo, the red ellipse indicates where his pain is located. This pain is caused by a condition called lateral epicondylitis, commonly referred to as tennis elbow.
In this particular case Jeff is asking his muscles to make constant micro movements, where they are at a disadvantage after prolonged periods. Muscles need to adequately contract and elongate in order to pump out fuel waste and bring in fresh fuel. When they are unable to do this, lactic acid builds up in the muscles and connective tissues, creating micro tears. To illustrate, imagine an elastic band that has been burned. Instead of elongating when stretched, its fibers will simply separate and tear.
Below is a video of welding a large object illustrating micro movements of the arm.
With this condition of tennis elbow, one can also find pain leading to the thumb because of the radial nerve that lives in the area between the larger extensor muscles of the forearm (see diagram).
How to Avoid this Condition
When your work demands a steady hand, give yourself plenty of stretch breaks. Every half hour isn't a bad idea. Try mildly ringing out a towel, raising and lowering a weight (I used a sledge hammer that has a hanging hole in the handle), or squeezing a soft ball to aid in lactic acid release.
Try to keep in mind that your body has limits of endurance. It's an incredibly complex and beautiful organism. With your help, as with any tool, if properly maintained, it will continue to serve you well for many years.
Les Hubert is a licensed massage therapist for Michael K. Galvin & Gel Essentials in Cranston, RI.