Archive of Past Workshops (2001)

 

January 19-21, 2001: Fabrication 3: Hinges & Forging 12-14
Working in silver and gold, you will advance your skills while learning to forge metal, make tubing and construct hinges. Participants create a classic forged sterling silver ring with a 14k gold tube setting as well as a hinged bangle bracelet with a clasp. Prerequisite: Fabrication 2 or experience.Tuition:$445. Materials: $50. 9am-6pm
Instructor: Vasken Tanelian
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

March 23-25, 2001: Fire, Form, and Color
Learn to torch fire opaque enamel on dimensional copper forms. Torch firing is an exciting "slash and burn" technique: it's spontaneous, immediate, low tech, and works well with versatile opaque enamels. The copper forms will be created by die forming thin copper sheet in the hydraulic press, and by fold-forming. Projects will be of a wearable jewelry scale. Because enameled pieces cannot be soldered, cold connection systems of attachment will be covered. Prerequisite: Experience in either basic jewelry making skills or in enameling is a prerequisite. Enrolled students will receive a materials list prior to the class. Tuition: $195, Lab: $45
Instructor: Marjorie Simon
The Southwest School of Art and Craft / Web site
210/224-1848, Fax 210/224-9337, 300 Augusta, San Antonio, TX 78205

February 5-March 16, 2001: Through the Plasticity of Metal
Winter session, one or two weeks.
We have facilities for handraising, forging, chasing, die forming, etc. for a maximum of six students.
Instructor: Brian Clarke
Bergin Clarke Studio, School of Metalsmithing
353-404-46385, Fax: 353-404-46060
The Old Schoolhouse, Ballinaclash, Rathdrum, Co., Wicklow, Ireland

February 9-11: Metalsmithing
Goldsmiths, silversmiths and blacksmiths all use hammers to shape metal by forging, raising, sinking and forming. These age-old techniques are the basis of making metal objects of all sizes, including jewelry. Take this class and learn the basics of smithing, using several types of hammers. You will complete a series of functional and ornamental projects in copper and/or silver. Prerequisite: Fabrication 2 or experience. Tuition: $445. Materials: $30. 9am-5pm
Instructor: Julia Turner
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

February 16-18: Fabrication 3: Hinges & Forging 12-14
Working in silver and gold, you will advance your skills while learning to forge metal, make tubing and construct hinges. Participants create a classic forged sterling silver ring with a 14k gold tube setting as well as a hinged bangle bracelet with a clasp. Prerequisite: Fabrication 2 or experience.Tuition:$445. Materials: $50. 9am-6pm
Instructor: Vasken Tanelian
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

March 5-9, 2001: Etching On Metal From A to Z (Asphaltum to Zone Systems)
Metal etching, especially on non-ferrous metals, will be taught utilizing techniques ranging from centuries old to right now. A wide variety of etching methods using different metals, resists and mordents will be demonstrated. Safety procedures stressed -- recipes and sources for materials shared.
Instructor: Patricia Nelson
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

March 9-10, 2001: Surface Treatments: Patterns & Textures
Learn to control and manipulate the surface of metal, creating an array of interesting patters, dramatic textures and rich finishes. Surface treatments can be subtle or striking, adding drama, complexity and originality to your work. Instruction covers over 100 surface treatments including rolled, embossed, engraved, carved, printed, blasted, hammered and folded pattern plus torch textures like reticulation and precision fusion. Participants leave with dozens of samples for future reference and endless inspiration. Tuition: $335. Materilas: $10. 9am-6pm
Instructor: Alan Revere
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

March 12-14, 2001: Engraving
Hand engraving is used by jewelers, stone setters, metalsmiths, wax model makers, enamelists and fine artists. Through lectures, demonstrations and hands on experience, you will learn to select, prepare and use specialized chisel-shaped tools, called “gravers,” to create ornamental borders, floral motifs, surface textures, lettering and plates for print making. Tuitionon: $445. Materials: $15. 9am-6pm.
Instructor: Alan Revere
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

March 12-16, 2001: Enamel And Metalwork
Traditional and contemporary approaches to enameling will include champleve, cloisonné and limoge techniques for jewelry and small vessel forms. Students may concentrate on what they like best in copper or silver. Soldering, cold joining, settings and other related metal forming and fabrication processes included with focus on individual design exploration.
Instructor: Linda Darty
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

March 19-23, 2001: Anticlastic Raising
Instructor: Michael Good
We have facilities for handraising, forging, chasing, die forming, etc. for a maximum of six students.
Bergin Clarke Studio, School of Metalsmithing
353/404-46385, Fax: 353/404-46060
The Old Schoolhouse, Ballinaclash, Rathdrum, Co., Wicklow, Ireland

March 19-23, 2001: Handmade Clasps, Mechanisms And Findings
The importance of mechanical devices and attachments for pinning/clasping/hanging/opening work -- expand repertoire of alternatives to mass produced parts which often are tacked onto otherwise handmade pieces. Explore design and construction of a variety of clasps and fasteners, articulating mechanisms and assorted findings. (Basic soldering/fabrication skills required.)
Instructor: John Cogswell (SAS Artisan Member)
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

March 26-30, 2001: Enameling on Silver
Use the cloisonné enameling technique in a jewelry scale on fine silver. The workshop will cover the entire process from metal preparation to enameling, to various methods of finishing the surface.
Instructor: Irene McGuckin
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

March 26-30, 2001: Granulation: Methods And Techniques
Investigate and compare the various methods of performing granulation (form of surface decoration in precious metal). Learn the "How's" and "Why's" of this ancient technique and its application for the contemporary metalsmith. Use of simple torch firing as well as kilns and fusion furnaces covered.
Instructor: Douglas Harling
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

April 13-19, 2001: Hydraulic Die Forming and Deep Drawing
This two-part workshop begins with Lee Marshall presenting the basics of hydraulic die forming with applications for jewelry. Learn to emboss sheet, cut out shapes, make light weight hollow objects, manufacture units and small parts to be assembled later. Participants design and make matrix dies, blanking dies, bending and forming dies, conforming dies and more. Then Phil Poirier presents the astounding process of deep drawing with the hydraulic press as he forms a cylindrical vessel from a disc of metal, quickly and efficiently. Tuition: $800.
Instructor: Lee Marshall & Phil Poirier
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

April 16-20, 2001: Chasing and Repousse in Ornamental Metalwork
Learn classical metalsmithing techniques from one of the foremost masters of our time. This workshop covers basic to advanced skills in chasing and repousse to create ornamental designs on metal. The workshop includes tool making, the creation of flat linear designs and the formation of dimensional designs through the use of punches. Previous experience is helpful but not required. Open to all levels. Tuition: $1,200.
Instructor: Valentin Yotkov (SAS Artisan Member)
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

April 21-22, 2001: Luluna and Its Variants: Fold-Forms
Fold-forms are a diverse family of three-dimensional shapes based on distorting a folded sheet of metal. A simple concept with astounding possibilities, fold-forming exploits the plasticity of metal by selective stretching of the fold(s) to yield unique, volumetric shapes impossible to create by any other method. Through hands-on guided experimentation you will create forms that are lightweight yet structurally sound and ideally suited to jewelry. The basic "Lunula" is a three-dimensional fold-form which takes its name from its resemblance to a crescent moon. Discover how subtle changes in the size or shape of the initial blank open the door for the production of numerous offshoots which, though closely related, differ remarkably in appearance. Open to all levels. Tuition: $350. Materials: TBA
Instructor: John Cogswell (SAS Artisan Member)
Masters Symposium Class
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

April 23-27, 2001: Hinged Box and Catch
Make a silver box with John Cogswell. Fabricate the walls, reticulate silver for the top. Hallmark and add a base. Attach a set of precision hinges. And then construct an intricate spring closure. A push of the button opens the box’s lid. Then secure it with a spring loaded “snap.” Though the primary focus of this workshop is on technical ‘how-to’s’, individual design is encouraged. Instruction includes much more than just making a box. You will walk away with a new bag of tricks. Get ready to learn from a master’s master. Prerequisite: Fabrication 3 or experience. Tuition $850. Materials: TBA.
Instructor: John Cogswell (SAS Artisan Member)
Masters Symposium Class
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

May 26, 2001: SAS SilverWorksIII: Reticulation and More!
10:00-12:00noon: Brunch: Refreshments will be available in the workshop throughout the demonstration.12:00-3:00pm: Reticulation with SAS Artisan Paulette Myers
Reticulation is a heat induced texturing process of sheet metal, utilizing specific natural properties of the silver alloy #820. Myers will demonstrate how the fluid relief pattern can be accomplished through an oxide protective skin build-up followed by localized liquification of the encased sheet metal in a row-pattened method. She will demonstrate how and why reticule formation can be controlled to offer delicate and fine relief-pattening to deeper and more broad linear structure. Myers will also present her latest reticulation pursuits involving roll-printing and forming. The malleability of reticulated silver sheet is excellent in hydraulic press application, die forming and hand forming. This process lends itself to the application of vessels, serving utensils, sculpture, and jewelry. It has new and progressive application in creativity and invention.3:00-3:30pm: Break: Receive Jeff Herman’s updated Silver Care Guide and come prepared with silver care and restoration questions for him. Providence File Co. will have a wide assortment of high quality files available at wholesale prices. Receive a FREE teaspoon and small sheet sample of the new Argentium Sterling to play with. This sterling produces NO firestain, Zippo! It's the use of germanium in the alloy – that's the secret. Yes, it's still "sterling" because it contains the mandatory 92.5% fine silver. And, it tarnishes at a slower rate than regular sterling, and the tarnish that does form washes off! 3:30-6:30pm: Reticulation Demonstration Continues. 6:45pm: Dinner & Announcement of the winner of The Hans Christensen Sterling Silversmith Award.
Society of American Silversmiths / See the SAS SilverWorksIII site for more details
401/567-7800, Fax: 401/567-7801, PO Box 704, Chepachet, RI 02814 USA

June 4, 2001: Through the Plasticity of Metal
Eight two week residential Workshops in Ireland. They are broadly based workshops covering most aspects of silversmithing. The main theme is the "plasticity of metal", to be explored through hand raising and hand forging of non-ferrous metals. We have one of the best equipped studios and have a wonderful selection of hammers, takes and other hand tools.The scale of work depends on the requirements of each student, i.e. hollowware or jewellery. We have facilities for handraising, forging, chasing, die forming, etc. 6 students max.
Instructor: Brian Clarke
Bergin Clarke Studio, School of Metalsmithing
353/404-46385, Fax: 353/404-46060
The Old Schoolhouse, Ballinaclash, Rathdrum, Co., Wicklow, Ireland, , Web site

June 4-8, 2001: Connections
Explore many ingenious ways in which connections can be used to transform, link and expand your forms. Incorporate assorted materials (wood, glass, stone and found objects) and build transitions between disparate elements. For jewelry or small sculpture.
Instructor: Marcia McDonald
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

June 4-9, 2001: Tantalizing Textures Through Fire
Learn to use the torch to create rich and unique patterns by fusing silver sheet and wires together. There are no mistakes, just opportunities to transform the materials into a new texture. All, from beginners to professionals. Tuition: $235.00. Materials: A list will be sent to students.
Instructor: Marne Ryan
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

June 4-September 22, 2001: Through the Plasticity of Metal
Summer session-eight two-week residential workshops.
They are broadly based workshop covering most aspects of silversmithing. The main theme is the "plasticity of metal," to be explored through hand raising and hand forging of non-ferrous metals. We have one of the best equipped studios and have a wonderful selection of hammers, takes and other hand tools.The scale of work depends on the requirements of each student, i.e. hollowware or jewellery. We have facilities for handraising, forging, chasing, die forming, etc. for a maximum of six students.
Instructor: Brian Clarke
Bergin Clarke Studio, School of Metalsmithing
353-404-46385, Fax: 353-404-46060
The Old Schoolhouse, Ballinaclash, Rathdrum, Co., Wicklow, Ireland

June 11-15, 2001: Silver and Gold Soldering: Steps, Rules And Tools
Reasonably solve any soldering/construction problems previously thought to be "overwhelming, too complex or too tedious." Emphasis on seeing and understanding what the solder is doing at various stages of construction. Become more efficient through the understanding and creative use of tools, soldering jigs, fabrication techniques, soldering principles, and a few tricks for making it all easier.
Instructor: Christopher Hentz
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

June 11-15, 2001: Pattern Development With Metal And Enamel Techniques
Explore the complex development of an enameled surface through the demonstration and use of various metal and enamel processes. Metal processes covered are: PnP etching of copper and bi-metals, stamping, embossing, piercing, foil repousse. Enamel processes covered are: basic application processes, dry and wet Riso screenprinting, gold and silver foil, rubber stamps, use of underglaze black and overglaze colors.
Instructor: Barbara Minor
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

June 11-16, 2001: Flatware Essentials
In this class, we will work to gain an understanding of all of the numerous aspects of the creation of flatware from conception to completion. This will include the specifics of functional design, aesthetic consideration, and traditional and experimental technique. Pouring sterling ingots from scrap, hot forging, cold forging, forming, planishing, finishing, and problem solving are just a few of the topics covered in this exhausting but ultimately rewarding class. Advanced ONLY. Tuition: $220.00. Materials: A list will be sent.
Instructor: James Obermeier
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

June 18-23, 2001: Mixed Media Techniques for Jewelry Making and Metalsmithing
Students will explore mixed media techniques and experiment with ways to use them in jewelry making and metalsmithing. They will learn the properties of various non-conventional jewelry materials and innovative surface treatments. Materials such as Corian, acrylics, resins, glass, polymer clay, wood, shell, bone, leather and eggshell will be available for experimentation. Demonstrations will cover mechanical cold joining techniques, surface treatments for metal, safe and easy patinas, and techniques for manipulating various non-metal materials. Problem solving sessions will focus on creative solutions to technical challenges, and discussions will address the relationships between content, form, materials and techniques while emphasizing sound craftsmanship. All. Tuition: $275.00. Materials: A list will be sent.
Instructor: Diane Falkenhagen
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

June 19-August 17, 2001: Beginning/Intermedeiate Jewelry and Metalsmithing
This course may be taken by beginners or by those who have taken an introductory course but would like the structure provided to beginning students. For beginners, focus will be on the fundamentals of fabrication techniques, such as soldering, piercing, filing/sanding, surface texture, and forming. After a few introductory projects, students will work on projects of their own design. Basic hand tools provided for use during the class will also be available for purchase. The experience and information provided by this course should enable the students to continue working in a basic home studio. Beginner to Intermediate. Tuition:$325, Studio Fee: $30. Bring to the first class: sketchbook and any previous work.
Instructor: Jason Morrissey
Maine College of Art (MECA)/ Web site
800/639-4808 x230, 207/775-5158,Fax: 207/879-5748, 97 Spring St.Portland, ME 04101,

June 25-30, 2001: Metal Forming
Forming techniques will be taught including the basics of raising, sinking, shell-forming, seamed cylinders applicable to the jeweler and metalsmith. This class will also include pattern development, soldering and various strategies and tools for forming non-ferrous metals. All. Tuition: $235.00. Materials: A list will be sent.
Instructor: Peg Miller Kern
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

June 25-July 6, 2001: Creating By Forming Metal
Use shell forming as a method for rapidly forming sheet metal into 3-D structures using the material's natural ability to be stretched and compressed. Understand the relationship between techniques, tools and resulting forms. Techniques include synclastic sinking, anticlastic raising and methods to make transitions from one form to another resulting in more complex structures.
Instructor: Betty Helen Longhi
Arrowmont School of Arts & Crafts
423/436-5860, Fax:423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

July 1-6 2001: Ancient Techniques for Modern Metalsmiths
This workshop, which is being held in the studio of Brian Clarke in Ireland, will will explore the use of the ancient filigree technique in a modern context. Please see our web page for details .Cost 750.00 Irish Punts Bergin
Instructor: Lori Talcott
Clarke Studio, School of Metalsmithing
353/404-46385, Fax: 353/404-46060
The Old Schoolhouse, Ballinaclash, Rathdrum, Co., Wicklow, Ireland, , Web site

July 9-13, 2001: Design Inspiration From Cultural Themes
Learn the cultural context of design motifs from countries of origin, tribes, regions, religious groups, the insect and animal worlds, etc. Develop contextual designs to be produced as sample boards in varied media and techniques. Open to students interested in 2 or 3-D work. (Proficiency with basic hand tools is necessary for whatever medium you wish to work in.)
Instructor: Cheryl Riley
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

July 15-27, 2001: Telling Stories: Imagery and Meanings in Metal
This course will examine the use of descriptive elements as integral parts of functional and/or wearable forms in metal. Basic fabrication and hollowware techniques will be incorporated. Traditional and alternative surface treatments will be explored, including chasing, hammered and stamped textures, basic chemical patinas and gesso with colored pencil coloration. Individual and group critiques will take place throughout the session. Participants should have basic jewelry and metalsmithing skills. Tuition $580. Shop fees, room & board additional. Materials: A list will be sent following acceptance into the course.
Instructor: Marilyn da Silva
Haystack Mountain School of Crafts / Web site
207/348-2306, Fax: 207/348-2307, PO Box 518, Deer Isle, ME 04627,

July 16-18, 2001 Fabrication 3: Hinges & Forging 9am - 6pm on A: or B: Aug 17-19
Working in silver and gold, you will advance your skills while learning to forge metal, make tubing and construct hinges. Participants create a classic forged sterling silver ring with a 14k gold tube setting as well as a hinged bangle bracelet with a clasp. Prerequisite: Fabrication 2 or experience. Tuition: $445. Materials: $50. 24 hours
Instructor: Vasken Tanielian
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax:415/391-7570, 760 Market St., San Francisco, CA 94102,

July 16-19, 2001: Fold-Forming (Alberta College of Art and Design,Calgary, Alberta)
Learn Fold-forming from the source. Fold forming is an innovative, quick, easily learned way of shaping sheet metal with hand tools. Forms are derived from the natural plasticity and ductility of the metal. Lewton-Brain invented fold-forming, now internationally recognized as a completely new way to work metal. Shaping is extremely efficient and rapid (many take 3-7 minutes working time). The Rolex Awards for Enterprise chose a project of his on the further development of fold forming for inclusion in a book on innovative developments in science and invention in the world, the Rolex Awards for Enterprise 1991 Edition. Tools are simple: fingers, hammers, anvil and mill. Complex relief forms are made from sheets of metal often on one annealing. They resemble chased, constructed and soldered forms, and can be made with most metals, including steel. Limited class numbers. Fee: $550.00 US (Take both fold-forming workshops for $1000.00 US) Includes a fold-forming technical paper and a Shareware book. Register at 403/284-7640 (ACAD) or e-mail brainnet@cadvision.com
Instructor: Charles Lewton-Brain

July 16-21, 2001: Clever Creatures-A Metal Menagerie
Taking inspiration from natural and animal forms, we will work through exercises, experiments and techniques in metalsmithing and jewelry fabrication. Practical skills to be addressed include: forging, forming, soldering, riveting, patterning, texturing, and toolmaking. Class will span from the immediacy of sketching in metal to fabricating wearable pieces. Combine our stable of ideas with your own clever efforts and you could go home with a metal menagerie. All. Tuition: $235.00. Materials: A list will be sent.
Instructor: Ana and Jan Loney
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

July 16-27, 2001: Enamel Surfaces: Focus On Line And Surface Enrichment
Use of simple drawing, printmaking and collage approaches for mark-making in enameling. Build rich or subtle surfaces through sgraffito, resists, overglaze enamels, luster, enamel threads, stampng, decals, graphite and underglaze pencils, foils, collage and assemblage. Focus on development of personal imagery.
Instructor: Elizabeth Turrell
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

July 26, 27, 2001: Catches, Findings, Hinges (Alberta College of Art and Design)
This lecture/demo/workshop is an information packed compilation of goldsmith's construction tricks and fast, sure procedures for building findings. A range of simple and complex hand-made findings and mechanisms are demonstrated and described. The concept of relative fitting is emphasized. This results in more successful construction technique and technical problem solving skills than traditional 'blueprint building' approaches may offer. Production aids and bench tricks are discussed. There is a fair amount of lecture time in this intensive workshop-be prepared to take notes. Fee: $300 US. Includes a copy of the Hinges and Hinge-Based Catches for Jewelers and Goldsmiths book. Register at 403/284-7640 or e-mail brainnet@cadvision.com
Instructor: Charles Lewton-Brain

July 21-24, 2001: Advanced Fold Forming (Alberta College of Art and Design, Calgary)
This advanced workshop will build fold forming skills and investigate approaches to creating and developing new fold forms, documenting working procedures, developing applications, designing jewelry and objects using fold forms. It is concerned with building a deeper understanding of fold forming, in order to develop and invent new folds, which can be applied to hardware, vessels, and floral forms. Limited class numbers. Fee: $550.00 US (Take both fold-forming workshops for $1000.00 US) Includes a fold-forming technical paper and a Shareware book. Register at 403/284-7640 or e-mail brainnet@cadvision.com
Instructor: Charles Lewton-Brain

July 23-28, 2001: Handmade Clasps, Findings and Cold Connections
For many contemporary metalsmiths, the major design consideration is visual, focusing, in particular, on a frontal, "head-on" view. We spend more time planning "how it will look," rather than "how it will work". All too often, little or no regard is given to the mechanical devices and attachments to the mass-produced parts, which we frequently tack onto otherwise handmade pieces. Explore the design and construction of a variety of clasps and fasteners, articulating mechanisms, assorted findings, and cold connection. Please note: Competent soldering and fabrication skills are required for this class. Intermediate to Advanced ONLY. Tuition: $350.00. Materials: A detailed list will be sent.
Instructor: John Cogswell (SAS Artisan)
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

July 29-August 17, 2001: Exploring an Idea
This workshop will focus on the exploration of an idea through the creation of a small body of work by each participant. Many metalsmithing techniques will be used, including hollow construction, scoring and bending, hinges, catches and closures, and the making of handmade chains. Working in gold will be discussed and demonstrated, and aesthetic inquiry and critical analysis will be offered. Participants will produce samples of these techniques in addition to working on five finished pieces. This class is intended for intermediate to advanced students who want to make real, tangible progress in their approach to their work in a short but intense three-week period. Tuition $770. Shop fees, room & board additional. Materials: A list will be sent following acceptance into the course.
Instructor: Lisa Gralnick
Haystack Mountain School of Crafts / Web site
207/348-2306, Fax: 207/348-2307, PO Box 518, Deer Isle, ME 04627,

July 30-August 3, 2001: Developing Sufaces
Explore rich layered textures to subtle mark-making on metal. Embossing, rollerprinting, stamping, etching, and die forming techniques covered. Investigate the relationship between surface, form and content. Emphasis on experimentation and spontaneity.
Instructor: Sharon Portelance
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

July 30-August 3, 2001: Torch Enameling
Use the torch firing process to create a painterly and spontaneous approach to this vast medium. Both traditional and non-traditional enamel applications will be covered with an emphasis on how best to use the torch for pleasing results. Design and fabrication ideas addressed. (Basic metalsmithing skills required -- no enameling experience necessary.)
Instructor: Deborah Lozier
Arrowmont School of Arts & Crafts
423/436-5860, Fax 423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

August 6-10, 2001: Small To Medium Scale Jewelry And Holloware
Soldering, cold connections, construction techniques, surface treatment and chemical patination in conjunction with personal ideas for forming metal.
Instructor: Claire Sanford
Arrowmont School of Arts & Crafts
423/436-5860, Fax:423/430-4101, PO Box 567, Gatlinburg, TN 37738, , Web site

August 13-18, 2001: Hollow Box Construction and Mechanisms
We will consider the imaginative and curious purposes of both historic and contemporary containers. Students will then begin work on boxes with their own personal purpose, whether it be to hold specific object or concept. The exploration of small scale hollow construction will focus on complex soldering and fabrication techniques. In addition, emphasis will be placed on the mechanical aspects of boxmaking, from creating your own threaded screws to making hinges and catches. All. Tuition: $245.00. Materials: A detailed list will be sent.
Instructor: Cappy Counard Wolfe
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

August 10-14, 2001 Pewter Power
Exploit the wonderful qualities of pewter. It can easily be stretched and formed, folded, textured and embossed. Pewter can be fused at less than 500 degrees and doesn't need annealing. Want to play? We will be concentrating on fabricating small hollow forms: boxes, pitchers, and vessels. Experience is helpful, but not necessary.
Instructor: Jon Michael Route
Peters Valley Craft Center / Web site
973/948-5200, Fax: 973/948-0011, Kuhn Rd., Layton, NJ 07851,

August 17-19, 2001 Engraving
Hand engraving is used by jewelers, stone setters, metalsmiths, wax model makers, enamelists and fine artists. Through lectures, demonstrations and hands on experience, you will learn to select, prepare and use specialized chisel-shaped tools, called “gravers,” to create ornamental borders, floral motifs, surface textures, lettering and plates for print making. Tuition: $445. Materials: $15. 24 hours
Instructor: Alan Revere
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax:415/391-7570, 760 Market St., San Francisco, CA 94102,

August 19-31, 2001: Non-functional, Shell-structured 3-D Forms
 The form-study will include anticlastic and synclastic states of curvilinear surfaces leading, mainly, to mono-shelled sheet metal expressions. The aim is to invest in skills and understanding rather than making finished objects. The instructor will offer demonstrations for up to two dozen new forms, which can lead to individual interpretations and awareness of the behavior of sheet metal. He writes, "This course will be good for seasoned smiths, and is perfect for beginners." Tuition $580. Shop fees, room & board additional. Materials: A list will be sent following acceptance into the course.
Instructor: Heikki Seppä (SAS Artisan)
Haystack Mountain School of Crafts / Web site
207/348-2306, Fax 207/348-2307, PO Box 518, Deer Isle, ME 04627,

August 20-25, 2001: Chasing and Repousse
Repousse and chasing are the misunderstood children of metalsmithing. This course will provide beginning to advanced students with enough information, basic tooling and work time to feel comfortable exploring this area even further. Demonstrations will be on flat and formed pieces - so think about repousse on die formed, round and seamed pieces. All. Tuition: $245.00. Materials: A detailed list will be sent.
Instructor: Richard Prillaman
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

August 27-September 1, 2001: How Ring Inhabits Box
For hundreds of years, jewelry has been placed in special boxes for safe-keeping. The most intriguing is the box designed especially for specific piece. This course will explore both the technical and conceptual concerns that arise when designing integrated pieces. Students will learn hollow-fabrication and forming techniques as they design and make ring and box. Additionally, basic bezel setting, various surface embellishments, and finishing techniques will be taught. Conceptually, the ring and the box are integrated. The ring can be removed and worn, but the box provides the place of safe-keeping that can accommodate only one specific ring. Intermediate to Advanced ONLY. Tuition: $275.00. Materials: A detailed list will be sent.
Instructor: Julie Koebbe
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax: 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

September-November, 2001: Intermediate Jewelry, Marriage of Metal
8 week class. Create intricate patterns using the technique known as marriage of metal. Rob will show you a variety of ways to combine copper, brass, silver, nickel, and even gold into striped patterns, free-form patterns, polka dots, checkerboards and more. He will also show you a variety of finishing techniques to enhance the married metal surface. Marriage of metal is a wonderful way to enhance the surface of jewelry, beads, and functional objects. The patterns that can be created can be extremely subtle, or wild and crazy depending on the effect you desire. Tuition: $250.00. Materials: $75.
Instructor: Rob Peacock
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

September-November, 2001: Intermediate Jewelry, Forging and Forming
8 week class. Students will continue learning metalsmithing and design skills for jewelry making. This class will expand a student's ability to form metal for more three-dimensional, sculptural jewelry. Demonstrations may include fold forming, forging, hydraulic press forming, and anti-clastic forming. Tuition: $250.00. Materials: $75.
Instructor: Cynthia Eid
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

September 6-December 13, 2001 (6:00-9:30 pm) or September 7-December 14, 2001 (9:00am-12:30 pm)
Beginning/Intermediate Jewelry and Metalsmithing This course may be taken by beginners or by those who have taken an introductory course but would like the structure provided to beginning students. For beginners, focus will be on the fundamentals of fabrication techniques, sush as soldering, piercing, filing/sanding, surface texture, and forming. After a few introductory projects, students will be responsible for purchasing their own materials. The experience and information provided by this course should enable the student to continue working in a basic home studio. It is important to attend the first two classes. Bring to the first class: a sketchbook and any previous work. Tuition: $325.00, Studio Fee: $30.00. Materials: A list will be distributed during the first class.
Instructors: Rachel Alvarez (pm) and J.E. Paterak (am).
Maine College of Art (MECA )/ Web site
207/775-5158, Fax 207/879-5748, 97 Spring St. Portland, ME 04101

September 8-9, 2001: Just Hinges
Hinges are used on everything from boxes to bracelets to doors. In this intermediate-level workshop we will construct several samples of common and not so common hinges. Chris will show examples of cast hinges and how they are prepared. He will also show ways of hinging soft materials such as leather, rubber and wood. All hinge-making materials, bits, and burs will be provided, but please bring your favorite tools as well as a 6" metal ruler, scribe, divider, calipers, solder and saw blades.
Tuition: $275.00. Materials: $30.
Instructor: Chris Darway
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

September 14-16, 2001: Moldmaking and Designing for Casting
A good mold is key to the successful reproduction of your jewelry design. In this three day workshop we will explore several moldmaking styles and materials including natural rubber, vulcanized silicon and RTV compounds. You will learn about hand-cut, powder separation and two-part, no-cut molds. The first day will include a mini workshop on Design for Casting. This information will help you plan for casting success before you make your model. You will learn how porosity happens, how to sprue properly, and how finish affects the process. Feel free to bring in your drawings and pieces for discussion and selections for molding. Tuition: $450.00. Materials: $20.
Instructor: John Henkel
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

September 21-23, 2001: Reliquaries
We will be exploring the notion of "artistic intent" and examining the differences between all objects in the physical world and those that we consider as objects of art. What is that odd and mysterious thing called "artistic intent" that seems to allow a work of art to bridge the otherwise philosophically distinct worlds of the physical and the psychological/spiritual/theoretical/emotional? The workshop will result in the creation of a reliquary-like piece that directly or indirectly addresses the issue of meaning in a work of art and the circumstances under which meaning is created. We will see the works as second generation metaphors, and not as mere "reliquaries" in the traditional sense of the words. Our objects will not simply house a relic but will interpret it in order to elucidate a deeper and more significant issue. Intermediate to Advanced ONLY. Tuition: $250.00. Materials: Students will be asked to bring in a small collection of personal objects that seem to contain a meaning beyond their physical presence. Be prepared to defend your choices, and to talk openly about them. Demonstrations will be given on hinge-making, container fabrication and catches and closures as time allows.
Instructor: Lisa Gralnick
Touchstone Center for Crafts / Web site
800/721-0177, 724/329-1370, Fax 724/329-1371, 1049 Wharton Furnace Rd., Farmington, PA 15437,

September 22-23, 2001: The Flex Shaft, Revealed
This class provides a comprehensive overview of the flexible shaft machine, which is probably the most versatile tool in the jewelry studio, and one of the least understood. We will learn how to assemble and service a flex shaft, and how to use it safely to accomplish an exciting range of tasks. Students receive a materials packet with a wide selection of flexible shaft mandrels, drills, burrs, texturing tools, and finishing wheels. After each demonstration, students will get hands-on experience in drilling, cutting, scoring, texturing, polishing, cutting seats for stone-setting, and using the flex shaft to solve fabrication problems like bezel construction and solder joints gone awry.
Tuition: $265.00. Materials: $75.
Instructor: Anne Larson Hollerbach
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

September 28-30, 2001: Granulation
Spend three full days concentrating on this beautiful ancient technique. Learn the process of alloying high-karat gold, making granules, fusing metal to metal and designing textures to use in your work. Students are introduced to the process through a slide presentation of ancient to contemporary granulated work. Through demonstrations and hands-on experience you will learn to create treasures in fine silver or 22-karat gold. (Gold will be available at added cost.) Prerequisite: Fabrication 3 or experience. Tuition: $445. Materials: $50. 24 hours
Instructor: Ronda Coryell
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

October 5-7, 2001 Metalsmithing 1: Basic
Goldsmiths, silversmiths and blacksmiths all use hammers to shape metal by forging, raising, sinking and forming. These age-old techniques are the basis of making metal objects of all sizes, including jewelry. Take this class and learn the basics of smithing, using several types of hammers. You will complete a series of functional and ornamental projects in copper and/or silver. Prerequisite: Fabrication 2 or experience. Tuition: $445. Materials: $30. 21 hours
Instructor: Julia Turner
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax:415/391-7570, 760 Market St., San Francisco, CA 94102,

October 6-7, 2001: Weaving with Wire
The same skills used by weavers, textile manufacturers and basket makers can be used to create beautiful jewelry or metal objects. This workshop focuses on fine wire techniques including chain making (knitting without knitting needles) braiding, twining, weaving, and more. Beginners are welcome, although manual dexterity is required for this detailed work. Students may bring knitting needles (size 8, 5mm diameter) or crochet hooks (size 4b). Note: The instructor asks students registering for this class to please refrain from wearing fragrances. No experience required. Tuition: $250.00. Materials: $65.
Instructor: Munya Avigail Upin
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

October 8-10, 2001 Metalsmithing 2: Anticlastic Forming
Anticlastic forming is a revolutionary technique with vast design possibilities. Participants learn to use a set of specialized stakes and hammers to form sheet into light and rigid hollow structures. Students create a series of sophisticated metalsmithing forms which would be nearly impossible using traditional techniques. Knowledge of these skills opens tremendous design possibilities. Prerequisite: Metalsmithing 1 or experience. Tuition: $445. Materials: $30. 21 hours
Instructor: Ronda Coryell
The Revere Academy of Jewelry Arts / Web site
415/391-4179, Fax:415/391-7570, 760 Market St., San Francisco, CA 94102,

October 12-14, 2001: Hydraulic Die-Forming with the Bonny Doon Press
Hydraulic die forming saves time and opens a whole world of possibilities for jewelers. Learn to emboss sheet, cut out shapes, and make lightweight hollow objects. You'll also learn how to make units and small parts that can be used to form larger assemblages. Participants will design and make several dies, including matrix dies, blanking dies, bending and forming dies, anti-clastic & synclastic bracelets and much more. Tuition: $475.00. Materials: $50.
Instructor: Lee Marshall
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

October 27-28, 2001: Precious Metal Clay
Simple and fun, Precious Metal Clay (PMC) is a revolutionary new craft material that feels like potter's clay but when fired in a kiln is transformed into fine silver. PMC can be worked with the fingers and with simple tools to create a vast range of forms and surfaces that are unobtainable using traditional methods. Students will learn the basics of working in PMC, go home with finished pieces, ready to wear. No experience necessary. Tuition: $275.00. Materials: $85.
Instructor: Jennifer Bowie, Certified PMC Instructor
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

November 2-4, 2001: MicroMachining
Workshop will be held at Massachusetts College of Art. In this exciting 3-day workshop you'll learn how to use a lathe. Through demonstrations and hands-on experience, we'll coveran incredible range of machining techniques for jewelers and metalsmiths including milling, drilling rings, cutting threads, ornamental metal, and wax turning. Learn about carbide cutters vs. high speed, three and four jaw chucks, faceplates and when to use them, and casting metal blanks & preforms for turning in the lathe. Phil will also cover some toolmaking principles, layout and cutting of tool steel, heat treatment for hardening and tempering tools, making tools to hammer-set bezels, making stone-setting dies, and lots of bench tricks. Open to all levels. Tuition: $550.00. Materials: $35.
Instructor: Phil Poirier
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

November 10-11, 2001: Fold Forming
We will explore a wide range of techniques for making three dimensional forms from flat sheet very rapidly by folding and unfolding the metal. The creases made by this simple process create regions of strength and stability which one can manipulate into lightweight, graceful vessels and other sculptural forms. Fold forming can be done quite quickly, so there will be lots of time to explore the possibilities inherent in several basic folds. Tuition: $275.00. Materials: $45.
Instructor: Anne Larsen Hollerbach
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

November 17-18, 2001: Bi-Metal and Keum Boo
Keum-Boo is the traditional Korean technique of fusing 24 kt. gold and silver. Bi-Metal is two layers of metal bonded together into one sheet. In this two day workshop you will explore pattern and texture as a vital design element. Paulette will demonstrate a variety of techniques for working in keum-boo and bi-metal including roller embossing, stamping, etching, solder inlay and wire twisting. Students are encouraged to bring their own jewelry hand tools, and complete a piece of jewelry in class. Metalsmithing experience is helpful but not required. Tuition: $265.00. Materials: $30.
Instructor: Paulette Werger
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

December 8-9, 2001: Finer Points of Finishing
How many projects do you have that are nearly finished and have been that way for months or even years? The process of completion is the core of craftsmanship, yet it is seldom taught and poorly understood. In this workshop we will tackle finishing in its mental and its physical forms. On a concrete level you will learn correct filing, sanding, polishing, and surface preparation as well as techniques that will prevent you from damaging a piece while you construct it. On a cerebral level you will learn how to analyze the order of work for a design, how to set realistic standards for yourself, and how to maintain focus from the eginning of a project to its conclusion. Tuition: $265.00. Materials: $75.
Instructor: Anne Larsen Hollerbach
Metalwerx / Web site
781/937-3532, Fax: 781/937-3955, 10 Walnut St., Woburn MA, 01801,

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