Archive of Past Workshops (1997)

 

January 25-26, 1997: Precious Metal Clay
Developed in Japan, Precious Metal Clay (PMC) is the most revolutionary material ever created for jewelers & metalsmiths. Essentially a mixture of microscopic particles of gold (or silver) in a pliable clay-like binder, PMC can be formed in the hands, squeezed between two objects, and manipulated in just about any way you can think of. The work is then dried and baked in an oven, vaporizing the binder and leaving a solid silver or gold object, which can then be worked, polished, soldered, etc.
Instructor: Alan Revere
The Revere Academy of Jewelry Arts
415/457-5415, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

January 27-April 28, 1997: Beginning/Intermediate Jewelry & Metalsmithing CJM 137 (14 sessions)
This course may be taken by beginners or by those who have taken an introductory course but would like the structure provided to beginning students. For beginners, this course teaches the properties of various metals and the use of basic hand tools. After completing a few introductory projects, the student is encouraged to design and finish an independent project. The experience and information provided by this course should enable the student to continue working in a simple home studio. Bring to the first class: a sketchbook and any previous work. Basic hand tools will be provided for in-class use and will also be available for purchase.
Instructor: Jeanne Paterak
Maine College of Art
207/775-3052, 97 Spring St., Portland, ME 04101, , Web site

January 30-May 1, 1997: Intermediate/Advanced Jewelry & Metalsmithing CJM 200 (14 sessions)
Students should have some previous experience with jewelry making or metalsmithing for this course. Class work will be on projects of students' own design, and ideas for holloware and small sculpture as well as jewelry will be encouraged. Demonstrations will be given to the class as a whole and on an individual basis as needed. Some techniques covered will be: tube setting, hollow construction, hinges and rivets, fold-forming, file carving, mixed metals, forging, and the making and use of specialized tools. Bring to the first class paper, pencil, sample of previous work, or work in progress.
Instructor: Rachel Alvarez
Maine College of Art
207/775-3052, 97 Spring St., Portland, ME 04101, , Web site

February 3-May 5, 1997: Silversmithing (A session-Mondays)
Projects include hollow and flatware, large jewelry, small sculptures, and combining of metals and non-metals such as wood, glass, or plastics. Silver and other metals raised, cold-forged, and soldered. Emphasis on individual instruction with occasional brief demonstrations.
Instructor: Harold Robinson
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

February 5-May 7, 1997: Silversmithing
Refine skills in forming metal. Raise, forge, and construct holloware, flatware, small sculpture, and sculptural jewelry. Explore anticlastic raising, seaming, and sinking techniques. Emphasis on individual design potential through demonstrations, group discussions, and one-on-one attention.
Instructor: Cynthia Eid (SAS Artisan Member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

February 5-May 7, 1997: Silversmithing
Refine skills in forming metal. Raise, forge, and construct holloware, flatware, small sculpture, and sculptural jewelry. Explore anticlastic raising, seaming, and sinking techniques. Emphasis on individual design potential through demonstrations, group discussions, and one-on-one attention.
Instructor: Cynthia Eid (SAS Artisan Member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

February 5-May 7, 1997: Silversmithing (Intermediate/Advanced)
Refine skills in forming metal. Raise, forge, and construct holloware, flatware, small sculpture, and sculptural jewelry. Explore anticlastic raising, seaming, and sinking techniques. Emphasis on individual design potential through demonstrations, group discussions, and one-on-one attention.
Instructor: Cynthia Eid (SAS Artisan Member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

February 14-16, 1997: Engraving
Engraving is an age-old technique used by jewelers, stone setters, metalsmiths, wax carvers, and enamelists. Artisans use specialized chisel-shaped tools called "gravers," which are pushed or hammered into metal surfaces. Instruction includes design transfer and the use of several types of engraving tools. A variety of effects are introduced, including ornamental borders, floral motifs, surface textures, Western style, and beginning lettering.
Instructor: Hratch Nargizian
The Revere Academy of Jewelry Arts
415/457-5415, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

February 15-16, 1997: Raising I or II
Form non-ferrous metal sheet with a hammer. Explore the wide range of forms possible for jewelry, holloware, sculpture, and functional designs. (I) Raise a 6" bowl with a formed or added rim and base. (II) Raise a symmetrical form, then alter contour and/or add other added elements.
Instructor: Jack da Silva (SAS Artisan Member)
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

February 21-23, 1997: Metalsmithing I-Basic
Goldsmiths, silversmiths, and blacksmiths all use hammers to create forms in a variety of metals. This class presents such basic skills as forging, raising, riveting, sinking, and forming using several types of hammers. Participants complete a series of functional and ornamental projects, while learning skills that are applicable to jewelry and larger forms.
Instructor: Randy Stromsöe (SAS Artisan Member)
The Revere Academy of Jewelry Arts
415/457-5415, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

February 25-26, 1997: Design
Stimulate your creativity. Tap into your source for originality. Develop your own personal sense of design. Learn a playful system guaranteed to lead your designs in new directions. Using materials such as clay, cardboard, foil, and paper, participants learn how to generate new and original ideas for jewelry, holloware, flatware, and sculpture. Through a combination of well-directed play, discussion and systematic refinement, participants develop their own understanding of design and become comfortable with the process of creativity applicable to their own work.
Instructor: Alan Revere
The Revere Academy of Jewelry Arts
415/457-5415, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

March 1-2, 1997: Anticlastic I or II
Create eccentric tubing in an endless myriad of possibilities using thin sheet metal formed with a hammer. This can expand your range of metal forming. (I) Form the spiculum, synclastic, anticlastic, and mirror images forms. (II) Progressively finer, more complex patterns and forms will be explored.
Instructor: Jack da Silva (SAS Artisan Member)
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

March 3-7, 1997: Die Forming & Enameling Metal
New possibilities for forming metal with an hydraulic press and innovative ways to incorporate enamels on these forms. Drawing on the expertise of two artists, students will be able to expand their knowledge and imagination in two different areas.
Instructors: Susan Kingsley & Carol Holaday
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

March 7-9, 1997: Die Forming
Participants in this hands-on workshop learn to make dies and use a press to form and blank metal. The techniques utilize a powerful hydraulic press, like an automobile jack, along with a variety of punches, brakes, dies, pads, and cutters, most of which can be made in the studio. With limitless potential, these techniques offer an affordable and efficient method to create one or more of the same hollow object, jewelry part, vessel, or production unit out of sheet or wire.
Instructor: Lee Marshall
The Revere Academy of Jewelry Arts
415/457-5415, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

March 9-May 2, 1997: Across Time & Place
With the past to inform and the present to inspire, we will seek to coordinate hand and mind. Students will work to find their own creative voice in small sculpture and jewelry. Our palette will range from traditional precious materials to mixed-media. Techniques include soldering, casting, forging, raising, granulation, and more .
Instructor: Douglas Harling
Penland School of Crafts
704/765-2359, Fax: 704/765-7389, Penland, NC 28765

March 10-14, 1997: Getting the Surfaces you Really Want
Explore the use of various hand tools including stamps, files, and hammers. Use the flexshaft, rolling mill, hydraulic press as well as non-photographic etching, heat abrasives, and combinations to achieve surfaces.
Instructor: Linda Watson-Abbott
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

March 15-16, 1997: Repousse Workshop
Repousse is a direct fabrication process for creating texture & form. This practical weekend workshop will explore all aspects of repousse and give students a better understanding of the plasticity of metal and how to exploit it. Topics covered will include: low and high relief, chasing tools, pitch pots, hammers, annealing, and the qualities of appropriate metals as: copper, nugold, silver, and brass. Students will have ample hands-on experience to work on designs of their own. A lab fee will be charged.
Instructor: Sue Sachs
Brookfield Center for the Crafts
203/775-4526, Fax: 203/740-7815, 286 Whisconier Road, Brookfield, CT 06804

March 15-16, 1997: Granulation
Learn to use the fusion of granules and small metal parts. Create designs rich in minute detail with this ancient technique dating back to before Roman times. Includes a $30 materials fee for 18K gold.
Instructor: Dennis Arsinis
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

March 17-21, 1997: Metal Vessel Making & Patinas
Explore techniques for creating hollow formed metal objects, including vessels and sculpture, functional or non-functional. Emphasis on forming methods of raising, sinking, and seaming employing hammers and stakes, and surface experimentation with patinas.
Instructor: Karen Pierce
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

March 22-23, 1997: Flatware: Design & Construction
During this workshop, we will explore the evolution of flatware and serviceware. First we will examine historical design and materials, and then we'll look at the more recent phenomenon in contemporary crafts that might deal with a spoon, for example as a symbol or sculpture. The workshop will cover a wide variety of techniques (forging, construction, pewter casting, etc.) and materials (metal, wood, plastics & found objects). Basic fabrication experience required.
Instructor: Jim Dailing
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

March 23-24, 1997: Hand Raising
Participants in this very practical two day weekend workshop will learn to quickly and efficiently raise and planish metal vessels...also known as holloware. The class will cover basic silversmithing techniques as each student creates a beautiful copper bowl of their own. Soldering and patination will also be demonstrated. (A lab fee will be charged).
Instructor: Michael Brehl
Brookfield Center for the Crafts
203/775-4526, Fax: 203/740-7815, 286 Whisconier Road, Brookfield, CT 06804

March 24-28, 1997: Raised Vessels: A Holloware Workshop
Learn the traditional hammer and forming techniques to shape or raise 2-D flat sheet metal into 3-D volumetric forms such as cups, bowls, etc. All stages of the raising operation, from initial design to finished object covered (basic metalworking skills required).
Instructor: John Cogswell (SAS Artisan Member)
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

April 5-6, 1997: Chasing I or II
Achieve greater detail on your metal surface using metal punches for low relief designs. Working in pitch for narrative or decorative design can be very rewarding, and easy! (I) Compose design, then chase and repousse design into surface of thin sheet metal. (II) Create a larger, deeper, more detailed and complex design.
Instructor: Jack da Silva (SAS Artisan Member)
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

April 12, 1997: Forging a Spoon Workshop
Start with a flat bar of silver and make a teaspoon or small ladle. Fabricate a tempered, handwrought spoon through forging and shaping. Spoons are finished (sanded, buffed, and filed) outside of workshop. Silver available for purchase from the instructor at about $15 per teaspoon.
Instructor: Peter Erickson (SAS Artisan Member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

April 13, 1997: Forging a Spoon Workshop
Start with a flat bar of silver and make a teaspoon or small ladle. Fabricate a tempered, handwrought spoon through forging and shaping. Spoons are finished (sanded, buffed, and filed) outside of workshop. Silver available for purchase from the instructor at about $15 per teaspoon.
Instructor: Peter Erickson (SAS Artisan Member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

April 12-14, 1997: Basic Die Forming Workshop
Participants in this hands-on workshop learn to make dies and use a press to form and blank metal. The techniques utilize a powerful hydraulic press, like an automobile jack, along with a variety of punches, brakes, dies, pads, and cutters, most of which can be made in the studio. With limitless potential, these techniques offer an affordable and efficient method to create one or more of the same hollow object, jewelry part, vessel, or production unit out of sheet or wire. For more information on die forming, go to Lee Marshall's Bonny Doon Engineering Web site.
Instructor: Lee Marshall
This workshop is only open to SNAG members and their annual conference held in Albuquerque this year from April 16-19. For registration information, contact:
New Mexico Metalsmiths Association
505/852-2450, PO Box 1574, Taos, NM 87517

April 21-23, 1997: Advanced Die Forming Workshop
This workshop is for people that have already had the basic course. NOT FOR BEGINNERS! (we are going to be moving at a pretty rapid pace, building on knowledge that you should already have. If you don't have it, this is not the place to try and get it! You should already be comfortable with all of the processes and techniques in the basic course description). Some of the items to be covered: Use form boxes for making deeper forms and vessels. Marcus Amshoff will be the primary instructor for this technique. Make an interior cutting die (punch a hole in the doughnut). Dave Shelton will be the primary instructor in this technique. Dave is the owner of Sheltech and specializes in making blanking dies. Contour a bracelet using Urethane on the inside to create selective forming. The techniques covered in this workshop are very intensive with tremendous detail and will thoroughly fill all three days! Prepare to participate with other skilled die formers and users of the press in what promises to be a lot of fun! This workshop is only open to SNAG members and their annual conference held in Albuquerque this year from April 16-19. For more information on die forming, go to Lee Marshall's Bonny Doon Engineering Web site. For registration information, contact:
New Mexico Metalsmiths Association
505/852-2450, PO Box 1574, Taos, NM 87517

April 26-27, 1997: Textile Techniques in Metal
Learn to use textile techniques to weave metal forms. Create designs rich in minute detail with this ancient technique, dating back to before Roman times..
Instructor: Susan Wood Onstadt
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

May 3-4, 1997: Fabrication
Create a small box with a fitted lid using synclastic or anticlastic methods. Forming, fitting, soldering, and added personal touches that make it your own design. Bring some sterling if you like.
Instructor: Jack da Silva (SAS Artisan Member)
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

May 4, 1997: Photo Tips for Metalsmiths
Learn a method of photographing metalwork that is simple and reliable. Determine what makes good and bad photos such as lighting, composition, backdrops, etc. Explore different films, sources, and suppliers. Bring metalwork and your camera and we'll try some shots (you may purchase film at the workshop).
Instructor: Cynthia Eid (SAS Artisan Member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

May 10-12, 1997: Metals & Jewelry Making/Small Rituals
Precious works of art, used and beloved day-in-day-out. This workshop will focus on those common objects that we often take for granted: spoons, combs, tea strainers, frames, boxes, ornaments, lockets, etc. made from metals. During the course of the weekend we'll explore a range of fabrication and embellishment techniques, from sawing and simple forging to etching and solder inlay--and incorporating equipment that is accessible and intriguing to work with. A special opportunity to explore familiar and unusual approaches to metals and jewelry.
Instructor: Alan Perry (SAS Artisan Member)
Horizons
413/665-0300, Fax: 413/665-4141, 108 N. Main St., Sunderland, MA 01375

May 18-24, 1997: Surface Embellishment
Reticulation, roll impression, stamping, inlay, and hammering are just a few processes which will enhance the image of your work. Unpredicted patterns of reticulation or controlled texture marking will be used as an expression of personal. This class is designed for experienced students seeking more advanced technical skills and a creative opportunity.
Instructor: Yoshiko Yamamoto
John C. Campbell Folk School
800/365-5724, Rt. 1, Box 14A, Brasstown, NC 28902

May 25-31, 1997: Fabrication in Metal
Basic silversmithing techniques in sawing, piercing, filing, sanding, soldering, and polishing will be covered. With the use of the rolling mill, you can create your own surface design using different techniques, including acid-etched brass plates, to give your pieces a very unique look. Students may create their own design ideas and find assistance for constructing them.
Instructor: Molly Sharp
John C. Campbell Folk School
800/365-5724, Rt. 1, Box 14A, Brasstown, NC 28902

May 31-June 1, 1997: Electro-forming
Learn the use of electro-forming in the creation of objects by layering metal over wax, plastic, or organic molds. Yes, it is possible to create in wax without casting!. Electro-forming can achieve objects that range from mirror smooth through heavily textured.
Instructor: Jack da Silva (SAS Artisan Member)
da Silva's Metal Design Studio
510/223-1616, 4955 B Appian Way, El Sobrante, CA 94803

June 1-13, 1997: Metals (session I)
Form to color. Starting with a naked metal form, texture and color are added, bringing personality to the piece. Because construction is the backbone of most metal projects, an emphasis will be placed on learning (or relearning) solid soldering skills, as well as the use of basic tools and techniques. Concept and design, working efficiency, avoiding pitfalls, dealing with mistakes, and making sure the finish is an element (not an afterthought) will be covered. Several days will be spent on color and patination.
Instructor: Claire Sanford
Haystack Mountain School of Crafts
207/348-2306, PO Box 518, Deer Isle, ME 04627,

June 2-6, 1997: Weaving, Plaiting, & Basketry Techniques in Metal
Use the tools and materials and the construction of a small loom that will weave with sheet metal strips; flat plaiting and weaving, basketry techniques in metal; creation of sculpted forms.
Instructor: David Bacharach
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

June 9-13, 1997: Toys From the Attic
Through the theme of toys, explore a variety of forming and image making techniques: hollow forming methods, die forming and simple dapping, etching, roll printing, and embossing surfaces. Cold connections and soldering techniques. Work adaptable to jewelry.
Instructor: Alan Perry (SAS Artisan Member)
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

June 16-20, 1997: Torch Enameling: Color & Form
An overview of torch firing enamel onto copper including various enamel applications along with forming and designing tips which lend themselves to the enameling process. (Basic metalsmithing skills required).
Instructor: Deborah Lozier
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

June 16-20, 1997: Form/Surface (J102)
This workshop will focus on the creative use of traditional and non-traditional methods of making three dimensional form for jewelry and holloware. Forms will be developed directly through sinking, forming, bending, and cold connection. Emphasis will be placed on the development of surface as a strong, expressive aspect through textural hammering, piercing, repousse, soldering, patination, colored pencils, and other methods, both additive and subtractive. A slide survey of significant historical pieces in both holloware and jewelry will be included. Materials fee required.
Instructor: Helen Shirk
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

June 21-24, 1997: Elastic Metals: Fold-Forming
Developed steadily by Charles Lewton-Brain since 1980, fold-forming is a system of metal forming which is the result of a conceptual approach to metalsmithing that emphasizes forming using the metal's characteristics. Rather than forcing form upon material, forms are derived from the plasticity, ductility, and elasticity of the metal. Fold-forming is extremely efficient and very rapid. Tools are simple: fingers, hands, hammers, mallets, anvils, and rolling mills. Complex high relief forms are produced from single sheets of metal, often with a single annealing. These shapes resemble chased, constructed, and soldered forms. The techniques may be used with most metals, including aluminum, niobium, steel, and precious metals. This workshop will update the technique of fold-forming, introducing new folds developed since the 1995 workshop offered at Interlaken.
Instructor: Charles Lewton-Brain
Interlaken School of Art
413/298-5252, Fax: 413/298-0274, PO Box 1400, Stockbridge, MA 01262

June 13-August 1, 1997: Metals (session IV)
Raising metal forms with plastic stakes and hammers. This workshop will demystify the idea that raising metal forms from simple to complex is difficult or time-consuming. Topics covered will include how to make plastic stakes and hammers, which plastics to use, the basics of raising, how to develop more complex forms, and simple exercises to stay healthy while hammering.
Instructor: David Pimental
Haystack Mountain School of Crafts
207/348-2306, PO Box 518, Deer Isle, ME 04627,

June 23-27, 1997 Design for Survival:
A Course for Professional Craftspeople (J104)
This workshop explores the challenging world of making a living as a contemporary craft artist. Many aspects of the business of craft will be covered, including developing a personal design vocabulary, pricing work and marketing, among other topics. Open to craft artists of all medias who want to develop their business. To apply to participate in the class submit 3-5 slides of artwork, resume and a short letter of intent. While not equired, it is recommended you bring a computer to the workshop. Applications taken until the workshop is full, but apply early as the first screening round will be mid-April. Materials fee required.
Instructor: Thomas Mann
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

June 30-July 4, 1997: Mokume-Gane (J105)
Mokume-gane is an ancient Japanese technique of creating a wood grain pattern in metal. The patterning is created by fusing multiple layers of two or more non-ferrous alloys together into a striped block. The block is noes many forged to heavy sheet, then by cutting through the top layers the grain is exposed. The sheet is then worked to a smooth surface of uniformed thickness. Patterning and materials can vary greatly. While other materials may be utilized, this workshop will work with fine silver and copper and a simple gas forge built in the class. Materials fee required.
Instructor: Robert Coogan
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

July 21-25, 1997: Fold-Forming
Fold forming is a new, quick, easily learned way of shaping sheet metal with hand tools. It emphasizes forming using the metals characteristics. Rather than forcing form upon the material forms are derived from the natural plasticity and ductility of the metal. Lewton-Brain invented fold-forming which is now internationally recognized as a new way to work metal. Shaping is extremely efficient and rapid (many are 3-7 minutes working time). Tools are simple; fingers, hammers, anvil and mill. Complex relief forms are made from sheets of metal often on one annealing. They resemble chased, constructed and soldered forms. It works with most metals including aluminum, steel and, niobium and is applicable for jewelry, holloware, enameling, anodizing etc.
Instructor: Charles Lewton-Brain
Centre for Jewellery Studies
403-263-3955 Fax: 403-283-9053, Box 1624, Ste. M, Calgary, AB, T2P 2L7 Canada,

July 14-25, 1997: Tabletop Wares: Eastern & Western Surface Decoration
Create salt & pepper shakers with a tray or mini teapot using hydraulic forming. Surfaces will be enhanced through techniques of kumboo, damascene, kumback, copper wire fusing, inlaying overlaying, and coloring.
Instructor: Komelia Okim
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

July 28-August 1, 1997: Enamel Surfaces: Focus on Line & Surface Enrichment
Use of simple drawing, printmaking, and collage approaches for markmaking in enameling. Build rich and subtle surfaces threough sgraffito, resists, stencils, graphite and underglaze pencils, overglaze enamels, lusters and enamel threads, stamping, and collage/assemblage.
Instructor: Elizabeth Turrell
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

July 28-August 1, 1997: Advanced Fold-Forming
This advanced in-depth fold-forming workshop will build fold-forming skills and investigate approaches to creating and developing new fold-forms, documenting working procedures, developing applications, designing jewelry and objects using fold-forms. This pioneering workshop is the first advanced one ever held and will have exciting results. Production methods of fold-forming will be examined.
Instructor: Charles Lewton-Brain
Centre for Jewellery Studies
403-263-3955 Fax: 403-283-9053, Box 1624, Ste. M, Calgary, AB, T2P 2L7 Canada,

July 28-August 1, 1997: Jewlery/Metal Workshop: Die Forming Embossed Multiples
Exploration of the die forming process focusing on production of detailed 3-D texture, pattern, and imagery. Use of the hydraulic press to produce multiple elements. Related skills including forming, finding construction, chain making solder, and cold joining.
Instructor: Kate Wagle
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

August 4-8, 1997: Tea for Two
Visualize, design, and create a small teapot or pitcher using holloware, spiculum, fabrication, and/or anticlastic forming techniques. Copper or silver may be used.
Instructor: Marilyn da Silva (SAS Artisan Member)
Arrowmont School of Arts & Crafts
423/436-5860, Fax: 423/430-4101, PO Box 567, Gatlinburg, TN 37738

August 11-15, 1997: Cloisonne& Metalsmithing for the Enamelist (J111)
This course is designed to help artists learn to incorporate enameling with metalsmithing skills. The class will be divided into two parts. In the first half, we will make a finished piece of cloisonne enamel. Numerous innovative shortcuts and tricks will be shown. In the second half we will construct from metal a piece of jewelry incorporating the cloisonne piece. A variety of techniques will be presented leading to individualized creative approaches to problem-solving. Materials fee required.
Instructor: James Carter
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

August 17-29, 1997: Metals (session VI)
Telling a story without words. This workshop will help participants develop personal imagery in a narrative context. The emphasis will be on ideas and using appropriate techniques to communicate with images. The class will include slide lectures, conceptual assignments, critiques, and an introduction to simple mold making for casting. Participants should have basic metalworking skills, including cutting, sawing, filing, and piercing.
Instructor: Namcy Worden
Haystack Mountain School of Crafts
207/348-2306, PO Box 518, Deer Isle, ME 04627,

September 3-7, 1997: Raise a Little Shell: Creating by Shell-Forming Metal (10:00am-4:00pm)
Jewelry & sculpture can be created by shell-forming, a method for rapidly forming sheet metal into three-dimensional structures using the material's natural ability to be stretched and compressed. Students will explore the fundamentals of sheet metal behavior and gain an understanding of the relationship between technique, tool, and resulting forms. Specific techniques include synclastic sinking, anti-clastic raising, and methods to make transitions from one form to another resulting in more complex structures. Emphasis is on the great potential for forming which can be accomplished using a minimum of tools. $350 + $50 lab fee.
Instructor: Betty Helen Longhi
Interlaken School of Art
413/298-5252, Fax: 413/298-0274, PO Box 1400, Stockbridge, MA 01262

September 9 - December 9, 1997: Beginning/Intermediate Jewelry & Metalsmithing CJM 137 (14 sessions)
This course may be taken by beginners or by those who have taken an introductory course but would like the structure provided to beginning students. For beginners, this course teaches the properties of various metals and the use of basic hand tools. After completing a few introductory projects, the student is encouraged to design and finish an independent project. The experience and information provided by this course should enable the student to continue working in a simple home studio. Bring to the first class: a sketchbook and any previous work. Basic hand tools will be provided for in-class use and will also be available for purchase. $325 + $30 studio fee
Instructor: Rachel Alvarez
Maine College of Art
207/775-3052, 97 Spring St., Portland, ME 04101

September 10-December 10, 1997: Advanced Metals/ Design Focus: Texture (14 sessions)
In this course the intermediate- and advanced-level student will explore the use of texture as a major design element in metalsmithing. The use of tools to make textural surfaces will include using the rolling mill, customizing hammers, and making original punches and stamps. A section of the course will be devoted to etching processes to create surface texture, pattern, and low relief imagery. Another section will focus on heating metal to produce torch-fired textures. The use of patina solutions to enhance a textural surface will also be reviewed. $210 + $50 lab fee
Instructor: Claire Holliday
Southwest Craft Center
210/224-1848, Fax: 210/224-9337, 300 Augusta, San Antonio, TX 78205

September 11 - December 18, 1997: Intermediate/Advanced Jewelry & Metalsmithing CJM 200 (14 sessions)
Students should have some previous experience with jewelry making or metalsmithing for this course. Class work will be on projects of students' own design, and ideas for holloware and small sculpture as well as jewelry will be encouraged. Demonstrations will be given to the class as a whole and on an individual basis as needed. Some techniques covered will be: tube setting, hollow construction, hinges and rivets, fold-forming, file carving, mixed metals, forging, and the making and use of specialized tools. Bring to the first class paper, pencil, sample of previous work, or work in progress. $325 + $30 studio fee
Instructor: Joanne Paterak
Maine College of Art
207/775-3052, 97 Spring St., Portland, ME 04101

September 13 & 14, 1997: Metalsmithing for Non-Metalsmiths
Students will learn soft tech" metalsmithing processes to be able to include cut-to-shape and simply formed metal pieces on art projects. Techniques to create surface texture such as etching, hammering and roller printing will be covered. To attach metal-to-metal or metal to other materials, connection systems of rivets, tabs, and wire will be discussed and demonstrated. Patinas used to color metal will also be introduced. No previous experience in metalwork is required. All materials will be provided. $100 + $50 lab fee
Instructor: Sherry Fotopoulos
Southwest Craft Center
210/224-1848, Fax: 210/224-9337, 300 Augusta, San Antonio, TX 78205

September 15-17, 1997: Metalsmithing I: Basic
Metalsmiths, silversmiths, and blacksmiths all use hammers to create forms in a variety of metals. Take this class and learn basic skills like forging, raising, riveting, sinking, and forming using several types of hammers. You will complete a series of functional and ornamental projects in copper or silver (for a small optional fee). $395
Instructor: Randy Stromsöe (SAS Artisan member)
The Revere Academy of Jewelry Arts
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

September 17, 1997: Silversmithing for the Tabletop (12 sessions-Wed. 1-3:45pm)
Apply all silversmithing techniques to make such tabletop objects as candlesticks, flatware, salt & pepper shakers, cups, and goblets. Learn traditional forming and raising techniques as well as non-traditional methods. Topics include texturing, imagery through sweat soldering appliqué, finishing, and methods of patination. Advanced students explore more challenging form and techniques. $295
Instructor: Shari Mendelson
92nd Street Y
212/996-1100, Fax: 212/415-5575, 1395 Lexington Ave., New York, NY 10128

September 19-21, 1997: Metalsmithing II: Anticlastic Forming
Anticlastic forming is a revolutionary technique with vast design possibilities. Learn to use a set of specialized stakes and hammers to form sheet into light and rigid hollow structures. Students create a series of sophisticated metalsmithing forms which would be nearly impossible to do using traditional techniques. $395
Instructor: Marlena Genau
The Revere Academy of Jewelry Arts
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

September 21, 1997: Judaica Metalsmithing: Intermediate/Advanced AEOJW14-01(13 sessions-Sundays, 9:30am-12pm)
Design and create Jewish ceremonial art under the guidance of a master craftsman.Experienced in creating in creating Judaica. Competent metalworking and soldering skills required. $295
Instructor: Harold Rabinowitz (SAS Artisan member)
92nd Street Y
212/996-1100, Fax: 212/415-5575, 1395 Lexington Ave., New York, NY 10128

September 21, 1997: Judaica Metalsmithing: Intermediate/Advanced AEOJW14-03(13 sessions-Sundays, 12-2pm)
Design and create Jewish ceremonial art under the guidance of a master craftsman.Experienced in creating in creating Judaica. Competent metalworking and soldering skills required. $240
Instructor: Harold Rabinowitz (SAS Artisan member)
92nd Street Y
212/996-1100, Fax: 212/415-5575, 1395 Lexington Ave., New York, NY 10128

September 22, 1997: Judaica Metalsmithing: Intermediate/Advanced AEOJW14-02(13 sessions-Mondays, 7-9:45pm)
Design and create Jewish ceremonial art under the guidance of a master craftsman.Experienced in creating in creating Judaica. Competent metalworking and soldering skills required. $295
Instructor: Bernard Bernstein (SAS Artisan member)
92nd Street Y
212/996-1100, Fax: 212/415-5575, 1395 Lexington Ave., New York, NY 10128

October 4-5, 1997: 18K Granulation
Learn how to granulate in 18 karat gold using this very ancient technique for decorating metal surfaces. In this two-day workshop we will learn to make our own granules, apply granules to sheet, and fabricate a form for granulation without the use of solder. We will be using the traditional mouth torch for fusing with an open flame. Materials fee required. $105
Instructor: Yoli Rose
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

October 13-14, 1997: Trade Practices
It is important for bench jewelers and metalsmiths to know trade practices and where to get technical information, supplies, and precious metals. In order to operate a shop, one must know how to handle scrap gold, track jobs, test gold, and place a quality stamp on jewelry. You will also learn about tool care, alloying, industry standards, laws, trade magazines, insurance, copyrights, patents, etc. $245
Instructor: Alan Revere
The Revere Academy of Jewelry Arts
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

October 17-19, 1997: Surfing the Hydro-Press: Hydraulic Die-Forming for the Jewelry/Metals Studio (10:00am-4:00pm)
In this workshop students will learn how to easily add volume, texture, and more to their work with updated information for jewelers, metalsmiths, and sculptors interested in hydraulic die-forming. Understanding of the hydraulic press and die-forming processes, and the materials and techniques used in die-forming, will be communicated. The class will include demonstrations and hands-no work in the production of hollow objects, production units, embossed sheets and vessels using urethane pads, metal and acrylic dies, and a variety of press accessories (including dap holders, brakes, forming boxes, etc.). Students will learn to make and use punches, matrix dies, steel blanking dies, and bending and forming tools. $245 + $50 lab fee.
Instructor: Lee Marshall
Interlaken School of Art
413/298-5252, Fax: 413/298-0274, PO Box 1400, Stockbridge, MA 01262

October 18-19, 1997: Mokume Gane
Traditional Japanese metal arts include several techniques rarely seen or taught in the West. One of the most interesting of these is "mokume gane," the art of creating beautiful wood grain patterns in metal. Through multiple laminations of different metals, a wide range of exotic mulitcolored patterns can be achieved. In this two day hands-on workshop you will laminate silver and copper by the diffusion welding method, learn how to pattern the laminate and make a ring from the resultingpatterned material. $295
Instructor: Jim Binion
The Revere Academy of Jewelry Arts
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

October 31-November 2, 1997: Engraving
Engraving is an age-old technique used by jewelers, stone setters, metalsmiths, wax carvers, and enamelists. Artisans use specialized chisel-shaped tools called "gravers," which are pushed or hammered into metal surfaces. Instruction includes design transfer and the use of several types of gravers. The range of effects include ornamental borders, floral motifs, surface textures, and lettering. $395
Instructor: Hratch Nargizian
The Revere Academy of Jewelry Arts
415/391-4179, Fax: 415/391-7570, 760 Market St., San Francisco, CA 94102,

November 1-2, 1997:Holloware - Teapot Forms (9:00 am - 5:00 pm)
In this two-day, hands-on workshop, students will create teapot forms using traditional techniques of forming with hammers and stakes. Tricks of the trade for assembly and fabrication with binding wire and older will be explored. These techniques are applicable to the construction of all types of holloware, flatware or jewelry objects. Students need to be of intermediate/advanced metalsmithing skills. $120/Members $135/non-members + $50 materials fee
Instructor: Michael Banner (SAS Artisan member)
Worcester Center for Crafts
25 Sagamore Rd., 508/753-8183, Fax: 508/797-5626, Worcester, MA 01605

November 15-16, 1997: Anticlastic Raising
Explore the Possibilities of anticlastic metal techniques. Form lightweight sheet metal to develop a wide variety of hollow objects. Individual attention will lead successful participants to a broadened appreciation in the use of the hammer. Designed for the novice to the professional, this workshop can set you on your way to creeating unique, sculptural objects. Open to any skill level. $105
Instructor: Jack da Silva (SAS Artisan member)
Mendocino Art Center
800/ 653-3328, 707/937-5818, Fax: 707/937-1764, PO Box 765, Mendocino, CA 95460

September 22-December 15, 1997: Silversmithing (A session-Mondays: 9:30am-12:30pm)
Projects include hollow and flatware, large jewelry, small sculptures, and combining of metals and non-metals such as wood, glass, or plastics. Silver and other metals raised, cold-forged, and soldered. Emphasis on individual instruction with occasional brief demonstrations. Members: $271 / Non-members: $300
Instructor: Harold Robinson
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

September 23-November 25, 1997: Chasing & Repoussé
Valentin Yotkov, a Bulgarian-born-and-trained silversmith, will teach the basics of chasing and repoussé. Toolmaking techniques will involve shaping, hardening, tempering, and polishing your own tools from square or round steel stock; and preparation and use of a pitch bowl. Step-by-step instruction will progress to creating your own designs on jewelry and holloware using liners, embossing, modeling, and matting punches. The ten classes will cost $300. Students can choose Tuesday afternoon (2-5pm) or evening (6-9pm) sessions.
Instructor: Valentin Yotkov Studio (SAS Artisan member)
Valentin Yotkov Studio
718/852-8640, 154 Carroll St., Brooklyn, NY 11231

September 24-December 17, 1997: Silversmithing (Wednesdays, 7:00-10:00pm)
Refine skills in forming metal. Create holloware, flatware, and jewelry. Explore fold-forming, anit-clastic forming, construction, seaming, and sinking techniques. Emphasis on individual design potential through demonstrations, group discussions, and one-on-one attention. Members: $271 / Non-members: $300
Instructor: Cynthia Eid (SAS Artisan member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

September 24-December 17, 1997: Silversmithing (Wednesdays, 12:00-3:00pm)
Refine skills in forming metal. Create holloware, flatware, and jewelry. Explore fold-forming, anit-clastic forming, construction, seaming, and sinking techniques. Emphasis on individual design potential through demonstrations, group discussions, and one-on-one attention. Members: $271 / Non-members: $300
Instructor: Cynthia Eid (SAS Artisan member)
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

September 25-December 18, 1997: Silversmithing (B session-Thursdays: 9:30am-12:30pm)
Projects include hollow and flatware, large jewelry, small sculptures, and combining of metals and non-metals such as wood, glass, or plastics. Silver and other metals raised, cold-forged, and soldered. Emphasis on individual instruction with occasional brief demonstrations. Members: $271 / Non-members: $300
Instructor: Harold Robinson
DeCordova Museum School of Art
617/259-0505, 51 Sandy Pond Rd., Lincoln, MA 01773, , Web site

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